Lisa Harris's 'Stretch 3/4 All I Want to Say' had a release date set for January 1, 2006. The duration of This song is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. Stretch 3/4 All I Want to Say's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Lisa Harris's "In Sync" album is number 18 out of 43. Based on our statistics, Stretch 3/4 All I Want to Say's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Stretch 3/4 All I Want to Say by Lisa Harris to be Allegro (fast, quick, and bright) because the track has a tempo of 134 BPM, a half-time of 67BPM, and a double-time of 268 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Frappe 2/4 Whistle While You Work | Churchill, Morey, Lisa Harris | C Major | 2 | 8B | 117 BPM | ||
| Bending Time (Plies, Barre Technique) | David Howard, Douglas Corbin | B♭ Major | 2 | 6B | 108 BPM | ||
| Plié 3/4: ¡Hola Casita! | Daniel Fifield | B Major | 2 | 1B | 120 BPM | ||
| She's Always a Woman to Me (Grand Allegro) | Nate Fifield | E♭ Major | 3 | 5B | 96 BPM | ||
| Temps Leve, Changement De Pieds | Whitefeather Productions | E♭ Major | 1 | 5B | 95 BPM | ||
| Dégagés-1 and 2: Barre Technique | David Howard, Joe Cross | B♭ Major | 2 | 6B | 122 BPM | ||
| Battements Fondus: Topaz Tango | Gill Civil | G Minor | 3 | 6A | 114 BPM | ||
| Tendus in 3 | Caleb Fawcett | G Major | 1 | 9B | 112 BPM | ||
| Plie 6/8 64 Counts | Marina Stolyar | F Major | 0 | 7B | 109 BPM | ||
| Battement Tendus 1 (slow) -Ballet "The Awakening of Flora" Flora Variation (Directed by Eunseok, Shin) | R. Drigo, Ballet pianist Mia | B Major | 1 | 1B | 69 BPM | ||
| A Dream Is a Wish (From "Cinderella"): Plié 3/4 24x8 | Ray Lindsey | A♭ Major | 0 | 4B | 124 BPM | ||
| Centre Tendus/Pirouettes: Undercover Agent | Gill Civil | F Minor | 3 | 4A | 132 BPM | ||
| Plie in E-Flat Major, ballet "La fille mal Gardée", Lise variation in E-Flat Major, Act 1 | Konstantin Mortensen | E♭ Major | 1 | 5B | 150 BPM | ||
| Coda Medley | Matthew J Gregory | C Major | 0 | 8B | 82 BPM | ||
| Port de bras 9/8 (The Sleeping Beauty) | Eun S. Kim | G Major | 2 | 9B | 125 BPM | ||
| Plie | Sky Tan | G Minor | 3 | 6A | 203 BPM | ||
| Improvise - Itsy Bitsy Teeny Weeny | POCKRISS, Vance, Lisa Harris | C Major | 3 | 8B | 135 BPM | ||
| Ronde de Jambe 3/4 Mountain Duet | Rice, Lisa Harris | C Major | 1 | 8B | 138 BPM | ||
| Barre: Tendus (Slow) | Nolwenn Collet | A Major | 0 | 11B | 116 BPM | ||
| Pile / As Long As He Needs Me | Lionel Bart, Lisa Harris | C Major | 1 | 8B | 127 BPM | ||
| Grand Battlement / Shall We Dance (King and I) | Oscar Hammerstein II, Lisa Harris | C Major | 3 | 8B | 118 BPM | ||
| Time to Pretend (Plie) | A Dancer's Delight | D Major | 3 | 10B | 88 BPM | ||
| Med Tendu 4/4: Rey's Theme | Daniel Fifield | G Minor | 1 | 6A | 116 BPM | ||
| First Tendu (from Don Quixote) | Douglas Schultz, Ludwig Minkus | G Major | 0 | 9B | 87 BPM | ||
| Pirouette Waltz (from Esméralda) | Douglas Schultz, Riccardo Drigo | D Major | 2 | 10B | 138 BPM |