"Pontoon" by Christopher Gordon had its release date on January 1, 2012. With This song being less than two minutes long, at 1:12, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 2 out of 18 in Adore (Original Motion Picture Soundtrack) by Christopher Gordon. Pontoon is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Pontoon by Christopher Gordon is Adagio (slowly with great expression), since this song has a tempo of 69 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Continuing The Dream | Christopher Gordon | F Minor | 0 | 4A | 129 BPM | ||
| Gravity | Steven Price | A♭ Minor | 3 | 1A | 93 BPM | ||
| Chase Walking Nantucket | Roque Baños | D Minor | 6 | 7A | 120 BPM | ||
| Oysters | Jeremy Marlon, Jeremy Mano | C Major | 1 | 8B | 83 BPM | ||
| Learning the Truth | Pinar Toprak | G Major | 0 | 9B | 167 BPM | ||
| The Devil Himself | Christopher Gordon | A Major | 1 | 11B | 66 BPM | ||
| Linlithgow Palace | BBC Scottish Symphony Orchestra | F Minor | 0 | 4A | 100 BPM | ||
| Armstrong: Bess and Raleigh Dance | Craig Armstrong, A.R. Rahman | C Minor | 3 | 5A | 74 BPM | ||
| Brianna and Roger Theme | Bear McCreary | A Minor | 1 | 8A | 128 BPM | ||
| All Boundaries Are Conventions | Tom Tykwer, Johnny Klimek, Reinhold Heil | C Major | 1 | 8B | 55 BPM | ||
| The Power of the Sun | David Schweitzer | G Major | 6 | 9B | 95 BPM | ||
| Sleeping Heart | Neslihan Atagoz, Telepatia | F♯ Major | 2 | 2B | 85 BPM | ||
| Shooting the Chutes | Mark Isham | D Major | 1 | 10B | 94 BPM | ||
| Chapter 12 Verse 5 | Henry Jackman, Dominic Lewis | D Minor | 2 | 7A | 126 BPM | ||
| The Phasmid | Iva Davies, Richard Tognetti, Christopher Gordon | E♭ Minor | 2 | 2A | 141 BPM | ||
| Essex Leaving Harbor | Roque Baños | A♭ Major | 6 | 4B | 118 BPM | ||
| Funeral / Rebuilding Serenity | David Newman | C Major | 1 | 8B | 63 BPM | ||
| Tarred & Feathered | Rob Lane | E Minor | 3 | 9A | 90 BPM | ||
| Sword of the Ancestors | Marcel Barsotti | A Minor | 3 | 8A | 108 BPM | ||
| Long Live Sacred Germany | John Ottman | A Minor | 0 | 8A | 171 BPM | ||
| On The Beach: The Great Ocean Road | Christopher Gordon | C Major | 2 | 8B | 85 BPM | ||
| At The Bank | John Powell | F Minor | 4 | 4A | 160 BPM | ||
| Two Socks / The Wolf Theme (From "Dance with Wolves" Soundtrack) | John Barry | A Major | 1 | 11B | 76 BPM | ||
| The Knockdown | Roque Baños | A Major | 4 | 11B | 98 BPM | ||
| Testudo | Atli Örvarsson | F Major | 3 | 7B | 85 BPM |