Whit Dickey, Rob Brown, Chris Lightcap's 'Transonic' had a release date set for May 3, 1994. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 8 in the song's album "Transonic". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United States. Based on our statistics, Transonic's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Transonic by Whit Dickey, Rob Brown, Chris Lightcap having a BPM of 123 with a half-time of 62 BPM and a double-time of 246 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
The music key of this track is G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Subaqueous Silence | Ayumi Tanaka Trio | A♭ Minor | 1 | 1A | 74 BPM | ||
| Liquid Brains | Cortex, Hedvig Mollestad | F Major | 3 | 7B | 118 BPM | ||
| Space Trance | Whit Dickey, Nate Wooley, Matthew Shipp | G Major | 5 | 9B | 123 BPM | ||
| Federal Money | Senator Quartet | E Major | 9 | 12B | 99 BPM | ||
| dualities | Joe Sanders, Logan Richardson, Seamus Blake, Greg Hutchinson | B Major | 5 | 1B | 97 BPM | ||
| Eye Opener | Whit Dickey, Tao Quartets, Rob Brown, Steve Swell, Michael Bisio | C Major | 6 | 8B | 84 BPM | ||
| Iris Murdoch | Adam O'Farrill | C Minor | 4 | 5A | 101 BPM | ||
| Pt. 1 | Ivo Perelman, Matthew Shipp, William Parker, Whit Dickey | B Minor | 4 | 10A | 79 BPM | ||
| Shaw Town | Chicago Underground Trio | F Major | 0 | 7B | 80 BPM | ||
| A.M. Mayhem | The Stan Tracey Quartet | F Minor | 5 | 4A | 118 BPM | ||
| Peace Planet | Whit Dickey, Tao Quartets, Matthew Shipp, Rob Brown, William Parker | D Major | 6 | 10B | 108 BPM | ||
| Why Canada | Trio of Bloom, Nels Cline, Craig Taborn, Marcus Gilmore | D Major | 7 | 10B | 146 BPM | ||
| Three Fifths a Man | Makaya McCraven | B♭ Minor | 6 | 3A | 95 BPM | ||
| Epiphron | Shawneci Icecold Trio, Michael Bisio, Whit Dickey | F Minor | 3 | 4A | 107 BPM | ||
| Choral Stambeli | Wajdi Riahi, Pierre Hurty, Basile Rahola | G Major | 0 | 9B | 131 BPM | ||
| Suite for DSW | Whit Dickey, Tao Quartets, Matthew Shipp, Rob Brown, William Parker | F Minor | 5 | 4A | 113 BPM | ||
| Mobile | Whit Dickey Trio, Whit Dickey | D♭ Major | 1 | 3B | 95 BPM | ||
| Fatal Thorns | Ivo Perelman, Matthew Shipp, Michael Bisio, Whit Dickey | B Minor | 7 | 10A | 94 BPM | ||
| Second Thoughts | Kenny Barron, Dave Holland Trio, Johnathan Blake | A♭ Major | 2 | 4B | 156 BPM | ||
| Substance X | Peter Evans, Mike Pride | A♭ Major | 2 | 4B | 89 BPM | ||
| Websterisms | Ivo Perelman, Matthew Shipp, Michael Bisio, Whit Dickey | D Major | 6 | 10B | 84 BPM | ||
| Prosperity's Fear | Makaya McCraven, Shabaka, Tomeka Reid, Junius Paul | E Minor | 6 | 9A | 90 BPM | ||
| Ending | Jakob Bro, Thomas Morgan, Jon Christensen | D Major | 0 | 10B | 98 BPM | ||
| Harmonic Disorder | Matthew Shipp, Joe Morris, Whit Dickey | D Minor | 2 | 7A | 83 BPM | ||
| Birds | Palle Mikkelborg | C Minor | 4 | 5A | 101 BPM |