Shweta Rashmi, Amrish Dhawan's ' "Vidhiyan Alag Saans Bas Ek" was released on its scheduled release date, August 1, 2013. With this song being around four minutes long, at 4:20, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 12 in the song's album "Sai Charitra, Vol. 9". In this album, this song's track order is #5. Vidhiyan Alag Saans Bas Ek is unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Vidhiyan Alag Saans Bas Ek by Shweta Rashmi, Amrish Dhawan having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Saawan Aayo Re | Seema Mishra | F♯ Major | 7 | 2B | 116 BPM | ||
| HIRA HIRKANI | Aaba Chaudhari | A♭ Major | 8 | 4B | 80 BPM | ||
| O Vishvapati Tara Vishvase | Nidhi Dholakia | A♭ Major | 4 | 4B | 100 BPM | ||
| Humro Pranam Pranam Bankey Bihari Ko | Mridul Krishan Shastri, Gourav Krishan Goswami | G Major | 7 | 9B | 136 BPM | ||
| Aap Ram Hain Bheelni Hoon Main | Shweta Rashmi, Amrish Dhawan | E Major | 7 | 12B | 87 BPM | ||
| Roti Hui Sai Dar Pe Ayee | Shweta Rashmi, Amrish Dhawan | E Major | 7 | 12B | 88 BPM | ||
| Ram Ram Siya Ram Bhajale | Sarvesh Mishra | E Minor | 7 | 9A | 100 BPM | ||
| Vishnu Suktam | Ramakrishna Math, Swami Sarvagananda | G Major | 3 | 9B | 108 BPM | ||
| Jay Jay Giriraj Kishori-Gauri Chopai | Trupti Dave | G Major | 4 | 9B | 129 BPM | ||
| Jayti Nav Nagari | Chitra Vichitra | F♯ Major | 9 | 2B | 92 BPM | ||
| महालक्ष्मी आरती | Mata Laxmi Aarti in Hindi | Hari cassettes | B♭ Major | 4 | 6B | 153 BPM | ||
| Om Jai Gange Mata | Vipin Sachdeva | F♯ Major | 7 | 2B | 98 BPM | ||
| Bhishma Stuti | Shyam Sunder Parashar | C Major | 4 | 8B | 110 BPM | ||
| Sab Se Sundar Naam Thakur Ji | Kailash Khare | A Minor | 6 | 8A | 96 BPM | ||
| Bahuchar Bavni | Anand No Garbo | JItubhagat | Hari cassettes | E♭ Minor | 4 | 2A | 131 BPM | ||
| Parvati Mata Aarti | Varsha Srivastava | D♭ Major | 7 | 3B | 95 BPM | ||
| Bad Sukh Saar | Rajni Pallavi | E♭ Major | 5 | 5B | 100 BPM | ||
| Maat Ang Chola Saje - Mata Ka Jagrata | Vipin Sachdeva, Rajlaxmi | E♭ Major | 7 | 5B | 126 BPM | ||
| Satguru Ne Sath Nibhaya | Raju Bumugade, Raju Gopi Dilvar | E♭ Minor | 4 | 2A | 132 BPM | ||
| Munisubrat Ki Aarti | Rajendra Jain | G Major | 7 | 9B | 78 BPM | ||
| Khatu Dham Charo Dham | Shyam Singh Chouhan | E Major | 7 | 12B | 75 BPM | ||
| Nade Talmal Talmal Kare | Ramakrishna Math, Mahesh Ranjan Shome | F♯ Major | 4 | 2B | 146 BPM | ||
| Kesarmal Bawri Tere Bhagat Bulave | Rajphool Kuchrania | F Major | 9 | 7B | 117 BPM | ||
| Jap Tap Kar Jab Jaagi Chetna | Amrish Dhawan, Shweta Rashmi | A Major | 7 | 11B | 86 BPM | ||
| Maat Shree Rani Sati Ji Meri Prachin Aarti Rani Sati Dadi Bhajan - Rani Sati Dadi Bhajan | Saurabh Madhukar, Keshav Madhukar | D♭ Major | 3 | 3B | 168 BPM |