"Sinfonia in E major, RV 132: II. Andante" by Karoly Botvay had its release date on January 1, 1996. The duration of This song is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. Sinfonia in E major, RV 132: II. Andante's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Vivaldi, A.: The 4 Seasons / Sinfonias, Rv 112, 132, 149 and 169 by Karoly Botvay. The song's track number on the album is #19 out of 23 tracks. Based on our data, United States was the country where this track was produced or recorded. Sinfonia in E major, RV 132: II. Andante is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Sinfonia in E major, RV 132: II. Andante by Karoly Botvay has a tempo of 79 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Sinfonia in E major, RV 132: II. Andante being at 79 BPM, the half-time would be 40 BPM with a double-time of 158 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Concerto Grosso Op.25-1 F Major 'Watermusic Suite No.1': Overture- Grave-Allegro | I Musici Di San Marco, Alberto Lizzio | F Major | 3 | 7B | 120 BPM | ||
| Concerto No. 3 In G Major RV 310: I. Allegro (Vivaldi) | Accademia Bizantina | D♭ Major | 3 | 3B | 116 BPM | ||
| Concerto No 6 in C minor - Allegro | Giuseppe Torelli, Charivari Agréable, Kah-Ming Ng | B Minor | 2 | 10A | 104 BPM | ||
| Serenade in C Major, Op. 10: II. Romanza. Adagio non troppo, quasi andante | Ernst von Dohnányi, Laszlo Barsony, Dénes Kovács, Karoly Botvay | F Major | 0 | 7B | 63 BPM | ||
| Concerto No 5 in G minor - Allegro | Giuseppe Torelli, Charivari Agréable, Kah-Ming Ng | F♯ Minor | 3 | 11A | 140 BPM | ||
| Symphonie concertante in A Major, W. C34: I. Andante di molto | Johann Christian Bach, Béla Bánfalvi, Karoly Botvay, Budapest Strings | F Major | 1 | 7B | 171 BPM | ||
| Concerto Grosso in E Minor, Op. 3, No. 3: I. Allegro | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | E Minor | 2 | 9A | 102 BPM | ||
| Triumphal March from Tancrede - Instrumental | André Campra, Richard Kapp, Philharmonia Virtuosi of New York | D Major | 3 | 10B | 149 BPM | ||
| Concerto for 2 Oboes in C Major, Op. 7, No. 2: II. Adagio | Tomaso Albinoni, Anthony Camden, Alison Alty, London Virtuosi, John Georgiadis | A Minor | 1 | 8A | 68 BPM | ||
| Sinfonia concertante in E-Flat Major, W. C41: I. Allegro assai | Johann Christian Bach, Andras Horn, Nandor Gotz, Jeno Kevehazi, Lehel Ronai, Aladar Tuske, Budapest Strings, Karoly Botvay | F Major | 1 | 7B | 171 BPM | ||
| Concerto No. 1 in D Major, SF 936 "La Cetra": I. Allegro assai | Alessandro Marcello, Gruppo Instrumentale di Roma, Giorgio Sasso | D♭ Major | 4 | 3B | 106 BPM | ||
| Sinfonia in C major, RV 112: III. Presto | Karoly Botvay | C Major | 2 | 8B | 116 BPM | ||
| Keyboard Sonata in D Minor, K.9/L.413/P.65: Allegro | Domenico Scarlatti, Balazs Szokolay | F Major | 1 | 7B | 118 BPM | ||
| Suite for String Orchestra & Basso Continuo in D minor "Old Dance": Sarabande | Arcangelo Corelli, Genadi Cherkasov, Chamber Orchestra of the Moscow Conservatory | D Minor | 1 | 7A | 86 BPM | ||
| Oboe Concerto in C Major, Op. 9 No. 5: III. Allegro | London Harpsichord Ensemble, Sarah Francis | C Major | 3 | 8B | 99 BPM | ||
| Symphony No. 59 in B-Flat Major: III. Presto | Franz Xaver Richter, Helsinki Baroque Orchestra, Aapo Häkkinen | A Major | 3 | 11B | 124 BPM | ||
| Piano Quartet No. 1 in G Minor, Op. 25: II. Intermezzo. Allegro ma non troppo (Arr. A. Schoenberg for orchestra) | Johannes Brahms, Csilla Szabó, Peter Komlos, Géza Németh, Karoly Botvay | D♭ Major | 0 | 3B | 109 BPM | ||
| Piano Quartet No. 3 in C Minor, Op. 60: II. Scherzo. Allegro | Johannes Brahms, Sandor Falvai, Peter Komlos, Géza Németh, Karoly Botvay | D Minor | 1 | 7A | 91 BPM | ||
| Concerto for Cello and String Orchestra in G Major, G. 480: III. Allegro | Luigi Boccherini, Yo-Yo Ma, Ton Koopman, Amsterdam Baroque Orchestra | F♯ Major | 1 | 2B | 97 BPM | ||
| Water Music: Alla Hornpipe (Variant '12) | George Frideric Handel, John Eliot Gardiner, English Baroque Soloists | E Major | 2 | 12B | 121 BPM | ||
| Sinfonia to Il Giardino di Amore: III. Allegro | Alessandro Scarlatti, Reinhold Friedrich, Budapest Strings, Karoly Botvay | C Major | 1 | 8B | 89 BPM | ||
| Flute Concerto in D Minor, QV 5:81: II. Arioso | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | G Minor | 2 | 6A | 77 BPM | ||
| Su le sponde del Tebro: Recitative. Su le sponde del Tebro - Aria. Contentatevi, o fidi pensieri | Alessandro Scarlatti, Ruth Ziesak, Reinhold Friedrich, Budapest Strings, Karoly Botvay | D Major | 1 | 10B | 99 BPM | ||
| Concerto Grosso in C Minor, Op. 2, No. 2: IV. Allegro | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | C Minor | 2 | 5A | 135 BPM | ||
| Oboe Concerto in D Minor, Op. 9 No. 2: II. Adagio | Tomaso Albinoni, Heinz Holliger, I Musici, Maria Teresa Garatti | B♭ Major | 1 | 6B | 75 BPM |