Firoza Begum, Satinath Mukherjee's ' "Gabhir Nishithe Ghum Bhenge Jaay - With Narration" was released on its scheduled release date, January 8, 2002. With this song being around four minutes long, at 3:39, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Firoza Begum, Satinath Mukherjee, Kazi Nazrul Islam's "Kathay O Gaane" album is number 7 out of 15. On top of that, India appears to be the country where this track was created. Based on our statistics, Gabhir Nishithe Ghum Bhenge Jaay - With Narration's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Gabhir Nishithe Ghum Bhenge Jaay - With Narration by Firoza Begum, Satinath Mukherjee to be Allegro (fast, quick, and bright) because the track has a tempo of 136 BPM, a half-time of 68BPM, and a double-time of 272 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Chaitali Chandini Ratey | Nazrul Geeti, Anuradha Paudwal | B♭ Major | 2 | 6B | 139 BPM | ||
| Megher Pore Megh Jomeche | Rezwana Choudhury Bannya | A Major | 2 | 11B | 143 BPM | ||
| Guru Na Bhoji Muin | Kumar Sanu, Chandrakanta Nandy | G Minor | 5 | 6A | 97 BPM | ||
| Shiter Shishir Bheja Raat | Bhupen Hazarika | B♭ Major | 3 | 6B | 133 BPM | ||
| Bologo Thakur | Mahesh Ranjan Shome | F♯ Minor | 5 | 11A | 175 BPM | ||
| Amar Hiyar Majhe Lukiye Chhile | Sagar Sen | B♭ Major | 1 | 6B | 162 BPM | ||
| HORIR LUT PORECHHE | Aditi Munshi | B Major | 5 | 1B | 137 BPM | ||
| Rubayee / Introduction / Chalo Pee Le Ke Yaar | Pankaj Udhas | E♭ Major | 2 | 5B | 86 BPM | ||
| Jhilmil Jhilmil Taaronwali | Kavita Krishnamurthy | D Major | 3 | 10B | 123 BPM | ||
| Muktir Mandir Sopan Tole | Manna Dey | D♭ Major | 4 | 3B | 124 BPM | ||
| Chokher Alloy | Indrani Sen | F♯ Major | 4 | 2B | 135 BPM | ||
| E Pathe Ami Je | Hemanta Mukhopadhyay | B Major | 3 | 1B | 145 BPM | ||
| Maa Tor Chokher Kajol Sara Gaye | Sadhana Sargam | C Minor | 4 | 5A | 115 BPM | ||
| Jawaniya Ke Din Dui Char Rasiya | Hansa Dave, Kalyanji-Anandji | E♭ Major | 6 | 5B | 100 BPM | ||
| Chader Hashi Badh Bhengeche | Rezwana Choudhury Bannya | G Minor | 3 | 6A | 130 BPM | ||
| Mor Bhabonare Ki Haway Matalo | Hemanta Mukhopadhyay | F♯ Major | 5 | 2B | 91 BPM | ||
| Oder Mato Bolbo Na Ma | Pannalal Bhattacharya | A♭ Minor | 2 | 1A | 146 BPM | ||
| Mon Chalo Nijo Niketoney | Manomay Bhattacharya | B Major | 4 | 1B | 129 BPM | ||
| Badol Diner Prothom Kodom Ful | Rezwana Choudhury Bannya | A♭ Major | 3 | 4B | 115 BPM | ||
| Dazan Khanek Pola | Gostho Gopal Das | E Major | 6 | 12B | 104 BPM | ||
| Chupke Chupke Raat Din Ansoo Bhana Yad Hai | Ghulam Ali | D♭ Minor | 3 | 12A | 119 BPM | ||
| Tomar Samadhi Phule Phule Dhaka - Antaral | Salil Mitra | F Major | 2 | 7B | 121 BPM | ||
| Yeh Bharat Ki Hai Shaan | Sridhar Parsekar, Master Krishnarao | E Major | 3 | 12B | 79 BPM | ||
| Ami Tai Abhiman Kori | Dhananjay Bhattacharya | G Major | 5 | 9B | 80 BPM | ||
| Ganer Surer Asankhani | Suchitra Mitra | E♭ Major | 5 | 5B | 182 BPM |