On January 1, 1989, the song "Cello Concerto in A Major: 2. Larghetto" was released by Giuseppe Tartini, Mstislav Rostropovich, Orchestra of the Collegium Musicum, Paul Sacher. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Vivaldi / Tartini / Boccherini: Cello Concertos by Mstislav Rostropovich, Alexandre Stein, Martin Derungs, Collegium Musicum Zürich, Paul Sacher. The song's track number on the album is #8 out of 12 tracks. Based on our data, Germany was the country where this track was produced or recorded. In terms of popularity, Cello Concerto in A Major: 2. Larghetto is currently not that popular. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
Since Cello Concerto in A Major: 2. Larghetto by Giuseppe Tartini, Mstislav Rostropovich, Orchestra of the Collegium Musicum, Paul Sacher has a tempo of 114 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Cello Concerto in A Major: 2. Larghetto being at 114 BPM, the half-time would be 57 BPM with a double-time of 228 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 3/4.
This song is in the music key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Trio Sonata in D Minor, D01: II. Allegro | Giuseppe Tartini, Maurizio Schiavo, Ayako Matsunaga, Antonio Papetti, Danilo Costantini, Il Demetrio | A♭ Minor | 0 | 1A | 78 BPM | ||
| Die Worte des Erlösers am Kreuze, Hob. XX:2: I. Introduzione. Maestoso ed adagio | Franz Joseph Haydn, Laurence Equilbey, Akademie für Alte Musik Berlin | E♭ Minor | 2 | 2A | 134 BPM | ||
| Sonata in F major, HWV 370: III. Largo | George Frideric Handel, Riccardo Minasi | D Minor | 1 | 7A | 115 BPM | ||
| Paganini Caprice no. 5 | Neil Black | B♭ Minor | 5 | 3A | 84 BPM | ||
| Tartini / Arr. Kreisler: Violin Sonata in G Minor "Devil's Trill": III. Andante - Allegro | Giuseppe Tartini, David Oistrakh, Vladimir Yampolsky | B♭ Major | 1 | 6B | 82 BPM | ||
| Symphony No. 10 in E Minor, Op. 93: II. Allegro | Dmitri Shostakovich, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | B♭ Minor | 6 | 3A | 89 BPM | ||
| Follia | Arcangelo Corelli, Jordi Savall, Hespèrion XXI | D♭ Minor | 2 | 12A | 159 BPM | ||
| Trio Sonata in D Major, D01: III. Allegro | Giuseppe Tartini, Maurizio Schiavo, Ayako Matsunaga, Antonio Papetti, Danilo Costantini, Il Demetrio | A♭ Minor | 0 | 1A | 78 BPM | ||
| Trio Sonata in D Minor, D01: I. Andantino | Giuseppe Tartini, Maurizio Schiavo, Ayako Matsunaga, Antonio Papetti, Danilo Costantini, Il Demetrio | A♭ Major | 0 | 4B | 61 BPM | ||
| Sarasate: Zigeunerweisen, Op. 20 | Pablo de Sarasate, Itzhak Perlman, Abbey Road Ensemble | C Minor | 1 | 5A | 83 BPM | ||
| Die Worte des Erlösers am Kreuze, Hob. XX:1: IX. Il Terremoto | Joseph Haydn, Metamorphose String Orchestra, Pavel Lyubomudrov | G Major | 5 | 9B | 155 BPM | ||
| Sonata For Violin And Continuo In G Minor, B. g5 - "Il trillo del diavolo": 4. Allegro assai | Giuseppe Tartini, David Garrett, Alexander Markovich | G Minor | 1 | 6A | 112 BPM | ||
| String Quartet No. 8 in C Minor, Op. 110: I. Largo | Dmitri Shostakovich, Borodin Quartet | C Minor | 1 | 5A | 114 BPM | ||
| Sonata for Violin and Continuo in G Minor, B. g5 - "Il trillo del diavolo": I. Larghetto affettuoso | Giuseppe Tartini, Anne-Sophie Mutter, TrondheimSolistene | G Minor | 1 | 6A | 88 BPM | ||
| Sonata For Violin And Continuo In G Minor, B. g5 - "Il trillo del diavolo": 2. Allegro | Giuseppe Tartini, David Garrett, Alexander Markovich | G Minor | 2 | 6A | 101 BPM | ||
| Halvorsen: Passacaglia (After Handel's Keyboard Suite, HWV 432) | Johan Halvorsen, Itzhak Perlman, Pinchas Zukerman | G Minor | 2 | 6A | 109 BPM | ||
| Suite No. 7 in G Minor: VI. Passacaglia | George Frideric Handel, Sviatoslav Richter, Andrei Gavrilov | G Minor | 2 | 6A | 115 BPM | ||
| Prelude In D Minor, BWV 926 : Prelude In D Minor, BWV 926 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 126 BPM | ||
| Paganini: 24 Caprices, Op. 1: No. 24 in A Minor | Niccolò Paganini, Itzhak Perlman | A Minor | 1 | 8A | 111 BPM | ||
| Chopin: Ballade No. 1 in G Minor, Op. 23 | Frédéric Chopin, Alexandre Tharaud | G Minor | 2 | 6A | 69 BPM | ||
| Vieuxtemps: Violin Concerto No. 5 in A Minor, Op. 37: III. Allegro con fuoco | Henri Vieuxtemps, Itzhak Perlman, Daniel Barenboim, Orchestre de Paris | A Minor | 4 | 8A | 128 BPM | ||
| Passacaglia for solo violin (Biber) | Heinrich Ignaz Franz von Biber, Masques, Olivier Fortin | F♯ Minor | 1 | 11A | 123 BPM | ||
| Concerto No 6 in C minor - Allegro | Giuseppe Torelli, Charivari Agréable, Kah-Ming Ng | B Minor | 2 | 10A | 104 BPM | ||
| Paganini: Moto Perpetuo, Op. 11 No. 6 | Niccolò Paganini, Julie Berthollet, Mathieu Herzog, Ensemble Appassionato | C Major | 4 | 8B | 159 BPM | ||
| Sonata in D minor, K 141 | Domenico Scarlatti, Pierre Hantaï | D♭ Minor | 5 | 12A | 140 BPM |