"Superman March - Alternate Version" by John Williams had its release date on March 15, 2005. With this song being around four minutes long, at 3:48, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 35 in the song's album "Superman: The Movie (Original Motion Picture Soundtrack)". In this album, this song's track order is #18. Furthermore, we believe that the track originated from United States. Superman March - Alternate Version is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Superman March - Alternate Version by John Williams having a BPM of 62 with a half-time of 31 BPM and a double-time of 124 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I Want You To Remember The One Man Who Beat You | Christopher Drake | D Minor | 4 | 7A | 133 BPM | ||
| The Fastest Man Alive (Always Late) | Blake Neely | A Major | 3 | 11B | 129 BPM | ||
| Prologue / Main Title | Stu Phillips | F Major | 0 | 7B | 71 BPM | ||
| Back To The Future - Original Score/End Credits | The Outatime Orchestra | F Major | 2 | 7B | 111 BPM | ||
| Abduction at Airport | John Carpenter | D Major | 3 | 10B | 171 BPM | ||
| Gone With The Wind - Tara's Theme | Max Steiner | F Major | 2 | 7B | 101 BPM | ||
| Far From Home / E.T. Alone - Soundtrack Reissue (2002) | John Williams | E♭ Minor | 1 | 2A | 130 BPM | ||
| Main Themes - From "Pirates of the Carribean:the Curse of the Black Pearl" | Klaus Badelt, Royal Philharmonic Orchestra;Tolga Kashif | D Minor | 5 | 7A | 102 BPM | ||
| Memphis Belle End Title Suite | George Fenton | E♭ Major | 1 | 5B | 113 BPM | ||
| Star Wars Main Title and Arrival At Naboo | Intergalactic Symphony Orchestra | B♭ Major | 2 | 6B | 76 BPM | ||
| James Bond Theme | John Barry, Monty Norman | C Major | 7 | 8B | 142 BPM | ||
| Hulk Theme | Craig Armstrong | A Major | 5 | 11B | 170 BPM | ||
| Journey To The Island | John Williams | B♭ Major | 2 | 6B | 110 BPM | ||
| Casablanca - Suite | Max Steiner | E♭ Major | 2 | 5B | 83 BPM | ||
| Origins | Max Aruj, Alfie Godfrey | G Major | 1 | 9B | 105 BPM | ||
| Apocalypse Now (Main Theme) | The Intermezzo Orchestra | G Major | 4 | 9B | 88 BPM | ||
| Suite From The Enemy Within | Original Soundtrack | C Major | 1 | 8B | 121 BPM | ||
| Main Title - From "The Last Of The Mohicans" | Trevor Jones | D Minor | 3 | 7A | 178 BPM | ||
| Main Title - The Rescuers Down Under - From "The Rescuers Down Under" | Bruce Broughton | A♭ Major | 2 | 4B | 109 BPM | ||
| The Natural | Randy Newman | F Major | 3 | 7B | 77 BPM | ||
| The Batman Theme | Danny Elfman | A♭ Major | 1 | 4B | 87 BPM | ||
| Looking For Me | Basil Poledouris | F Minor | 3 | 4A | 134 BPM | ||
| Turning Back the World | John Williams | B Major | 2 | 1B | 139 BPM | ||
| Olympic Fanfare | Champions United | C Major | 3 | 8B | 86 BPM | ||
| Dies Irae | Elliot Goldenthal | B♭ Major | 4 | 6B | 90 BPM |