吉野裕司, 甲田益也子, 邊見美帆子, 畠山真央, 菊地薫音's 'Hard times come again no more SoundTrack version' had a release date set for December 24, 2025. With this song being around four minutes long, at 4:00, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There is only one song in 日本人の忘れもの, so we believe that "Hard times come again no more SoundTrack version" is a single. Hard times come again no more SoundTrack version is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Hard times come again no more SoundTrack version by 吉野裕司, 甲田益也子, 邊見美帆子, 畠山真央, 菊地薫音 is Adagio (slowly with great expression), since this song has a tempo of 70 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 夕星 | AQUAPLUS | A Minor | 1 | 8A | 136 BPM | ||
| 召喚 | Michiru Oshima | A Minor | 3 | 8A | 140 BPM | ||
| 魔女の花 | Takatsugu Muramatsu | G Major | 1 | 9B | 140 BPM | ||
| 浮き立つ心 | Yasuharu Takanashi | G Major | 3 | 9B | 98 BPM | ||
| TSUKUYOMI | CONISCH | D Minor | 3 | 7A | 80 BPM | ||
| 湖の映す青 | HOYO-MiX | B Minor | 0 | 10A | 70 BPM | ||
| Windmill Village | NCSOUND | F Major | 3 | 7B | 119 BPM | ||
| ナッシェタニア | Michiru Oshima | D Minor | 2 | 7A | 120 BPM | ||
| It Started Small, Like These Things Do | Dynamedion | G Major | 2 | 9B | 95 BPM | ||
| Drama in the Court | Winifred Phillips | G Minor | 1 | 6A | 140 BPM | ||
| ソマリの好奇心 | ソマリと森の神様 | A Minor | 1 | 8A | 180 BPM | ||
| ルッツとマイン | Michiru | F Major | 0 | 7B | 112 BPM | ||
| Crossing Baffin Bay | Ensemble Galilei | C Major | 0 | 8B | 64 BPM | ||
| Shinpitekina | Hinako Tsubakiyama | D Minor | 1 | 7A | 95 BPM | ||
| 未来 | Michiru Oshima | A♭ Major | 2 | 4B | 82 BPM | ||
| トラウマ | MAYUKO | F Major | 5 | 7B | 106 BPM | ||
| 食の恵 | 光田康典, 土屋俊輔 | A♭ Major | 3 | 4B | 83 BPM | ||
| To the Race | Dolce Triade | D Major | 4 | 10B | 100 BPM | ||
| 「眼福眼禍」 | 増田俊郎 | C Minor | 0 | 5A | 128 BPM | ||
| Wep'keer I | Capcom Sound Team | A Minor | 3 | 8A | 64 BPM | ||
| 狼と踊る | 吉野裕司 | G Major | 3 | 9B | 83 BPM | ||
| 陽光讃歌 | Taro Iwashiro | G Major | 4 | 9B | 110 BPM | ||
| 日々の現実 | Kenji Kawai | G Minor | 0 | 6A | 87 BPM | ||
| Hard times come again no more BonusTrack A cappella | 吉野裕司, 甲田益也子, 菊地薫音 | A Major | 2 | 11B | 70 BPM | ||
| Shounin to Ookami to, Tabi no Nibasha | Yuji Yoshino | D Major | 5 | 10B | 106 BPM |