Duane Reade, Mark Revell's 'Comin' Back to Me' had a release date set for July 10, 2011. The duration of This song is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. Comin' Back to Me's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Various Artists's "Garage Pop" album is number 9 out of 11. On top of that, Turks and Caicos Islands appears to be the country where this track was created. The popularity of Comin' Back to Me is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Comin' Back to Me by Duane Reade, Mark Revell to be Vivace (lively and fast) because the track has a tempo of 165 BPM, a half-time of 82BPM, and a double-time of 330 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sail it Slow | Guards, Cults | B♭ Minor | 6 | 3A | 135 BPM | ||
| Violet's in a Pool | Tamaryn | A Major | 8 | 11B | 82 BPM | ||
| Juno | Rob, Chloë Alper | F Major | 7 | 7B | 102 BPM | ||
| Slow and Quiet | Promise And The Monster | B♭ Minor | 4 | 3A | 106 BPM | ||
| Serenate | One Reason | D♭ Major | 0 | 3B | 103 BPM | ||
| False Jeopardy | The Kickback | E Major | 9 | 12B | 122 BPM | ||
| Whores | Touched by Ghoul | A Major | 6 | 11B | 78 BPM | ||
| Temporary | White Rabbits | B♭ Minor | 10 | 3A | 142 BPM | ||
| Excess | New Candys | C Major | 9 | 8B | 144 BPM | ||
| The Science of Imaginary Solutions | Autolux | C Major | 7 | 8B | 113 BPM | ||
| The Owl | I Love You But I've Chosen Darkness | D Minor | 3 | 7A | 137 BPM | ||
| Best Laid Plans - Emixed L | Eobard Tron | G Major | 8 | 9B | 120 BPM | ||
| Candy Machine Gun | Haley Bonar | E♭ Major | 6 | 5B | 154 BPM | ||
| Nothing but a Fight | The Palace Steps | A Major | 4 | 11B | 87 BPM | ||
| Shut Up I Am Dreaming of Places Where Lovers Have Wings | Sunset Rubdown, Spencer Krug | G Major | 5 | 9B | 146 BPM | ||
| The Answer | UNKLE, Big In Japan | F♯ Major | 4 | 2B | 137 BPM | ||
| Urchin | Labyrinth Ear | C Minor | 6 | 5A | 129 BPM | ||
| Mirror | Weekend | C Major | 6 | 8B | 135 BPM | ||
| Pale Light | Dusted | G Minor | 5 | 6A | 172 BPM | ||
| How Long | Streko | C Major | 7 | 8B | 102 BPM | ||
| Walls | The Blue Angel Lounge | E Minor | 5 | 9A | 114 BPM | ||
| I Don't Know Why | Valen | G Minor | 5 | 6A | 80 BPM | ||
| Way Out | Bass Drum of Death | D Major | 8 | 10B | 113 BPM | ||
| Don't Blow It | Eyes Lips Eyes | D Major | 10 | 10B | 156 BPM | ||
| Secular Love | The Casket Girls | B Minor | 9 | 10A | 75 BPM |