Michael Praetorius, Calliope - A Renaissance Band's 'Sixteenth Century French Dances: Bransle Simple' had a release date set for November 1, 2005. The duration of This song is about 3 minutes long, at 3:14. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 16 out of 17 in Calliope Dances: A Renaissance Revel by Michael Praetorius, Calliope - A Renaissance Band. Based on our statistics, Sixteenth Century French Dances: Bransle Simple's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sixteenth Century French Dances: Bransle Simple by Michael Praetorius, Calliope - A Renaissance Band is Allegro (fast, quick, and bright), since this song has a tempo of 128 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Natus Es Parvulus (douce Nuit) | L'Accroche-Choeur, Ensemble Vocal Fribourg | D Major | 1 | 10B | 135 BPM | ||
| Lagrime di San Pietro: No. 21, Vide homo, LV 1025 | Orlande de Lassus, Doulce Mémoire, Denis Raisin-Dadre | D Major | 0 | 10B | 67 BPM | ||
| Selig sind die Toten, SWV 391 | Heinrich Schütz, Vox Luminis, Lionel Meunier, Bart Jacobs | F Major | 2 | 7B | 170 BPM | ||
| Here is the little door | Howard Howells, Choir of Clare College, Cambridge, Graham Ross | A Minor | 1 | 8A | 69 BPM | ||
| Adventi Ének Veni, veni, Emmanuel | Zoldan Kodály, Aurél Tillai, Pécsi Nevelök Háza Kamarakórusa | F Minor | 0 | 4A | 107 BPM | ||
| Üks roosike on tõusnud | Estonian Philharmonic Chamber Choir, Tallinn Chamber Orchestra, Tõnu Kaljuste | G Major | 1 | 9B | 100 BPM | ||
| Volte | Michael Praetorius, Baltimore Consort | C Major | 2 | 8B | 145 BPM | ||
| Ah, iloitkaatte ystävät | Mieskuoro Weljet, Heikki Rainio | G Minor | 2 | 6A | 126 BPM | ||
| Es kompt ein Schiff geladen | Marcus Gerrariurius, Stimmwerck | D Major | 1 | 10B | 57 BPM | ||
| Drei geistliche Gesänge, Op. 69 "Bleib bei uns": No. 3 in F Major, Abendlied | Josef Rheinberger, Cantus Novus Wien, Thomas Holmes | F Major | 2 | 7B | 79 BPM | ||
| Pjotr Tsaikovski: Legend (op. 54/5) | Lumen Valo | E Minor | 0 | 9A | 81 BPM | ||
| Esti dal (Evening Song) | Zoltán Kodály, Pécs Chamber Choir, Aurél Tillai | D Major | 2 | 10B | 102 BPM | ||
| Es ist ein Ros entsprungen | Michael Praetorius, Choir of Merton College, Oxford, Emily Tann, Benjamin Nicholas | F Major | 0 | 7B | 80 BPM | ||
| Ave Maria, Angelus Domini | Voices Of The Cathedral | B Major | 2 | 1B | 77 BPM | ||
| Vidimus Stellam: III. Hodie Christus Natus Est | Kevin Siegfried, The Byrd Ensemble, Markdavin Obenza | D Major | 1 | 10B | 69 BPM | ||
| Christ lag in Todesbanden, SSWV 22 | Samuel Scheidt, Vox Luminis, Lionel Meunier, Bart Jacobs | D Minor | 1 | 7A | 137 BPM | ||
| A Hymn to the Virgin | Benjamin Britten, Gabrieli, Paul McCreesh | A Minor | 0 | 8A | 86 BPM | ||
| In Song: I. Intro: Entre nos voix | Diane Boudreau, Laura Hawley, Michelle David, Canadian Chamber Choir, Joel Tranquilla | G Major | 1 | 9B | 78 BPM | ||
| Laudate Dominum | Christian Theodor Weinlig, Leipzig Thomaner Choir, Hans-Joachim Rotzsch | G Major | 1 | 9B | 76 BPM | ||
| The Benediction | Laestadian Lutheran Church, Viena Kontkanen | E Major | 1 | 12B | 87 BPM | ||
| Abendlied Op. 693 | Calmus Ensemble | E♭ Major | 1 | 5B | 80 BPM | ||
| Advent | Markus Fricker, Schweizer Vokalconsort, Marco Amherd | F Major | 1 | 7B | 112 BPM | ||
| The Lord of Salisbury his Pavin | Orlando Gibbons, Harmonia Recorder Ensemble | D Minor | 0 | 7A | 66 BPM | ||
| Volte | Michael Praetorius, Antiquo More | C Major | 5 | 8B | 144 BPM | ||
| Nowell, Tidings True There Be Come New | Traditional, Papagena, Sarah Tenant-Flowers | F Major | 1 | 7B | 170 BPM |