Riccardo Drigo, 유연하 (Rebecca Y. Yoo)'s 'Paquita: Female Variation: Andante (Warming-up 2)' had a release date set for September 18, 2025. With This song being less than two minutes long, at 1:50, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in 유연하 (Rebecca Y. Yoo)'s "Music for Ballet Class Vol.5 Stages" album is number 3 out of 37. On top of that, South Korea appears to be the country where this track was created. Paquita: Female Variation: Andante (Warming-up 2) is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of Paquita: Female Variation: Andante (Warming-up 2) by Riccardo Drigo, 유연하 (Rebecca Y. Yoo) to be Andante (at a walking pace) because the track has a tempo of 83 BPM, a half-time of 42BPM, and a double-time of 166 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Facing the Barre | Miro Magloire, Wilhelm Burmann | C Minor | 1 | 5A | 209 BPM | ||
| Drigo: 4 Airs de ballet: II. Valse bluette. Molto moderato (Arr. for Violin and Piano by Jascha Heifetz) | Riccardo Drigo, Itzhak Perlman, Samuel Sanders | D Major | 3 | 10B | 125 BPM | ||
| Act I - Boston Waltz | St. Petersburg State Symphony Orchestra, Reinhold Glière | D Major | 2 | 10B | 144 BPM | ||
| Demi Allegro Ⅰ | SuYeon Park | E♭ Major | 2 | 5B | 94 BPM | ||
| La Bayadère / Act 1: No. 26 Tempo di valse brillante | Ludwig Minkus, English Chamber Orchestra, Richard Bonynge | D Major | 3 | 10B | 102 BPM | ||
| Die Flamme von Paris (Flames of Paris), Act IV: Coda [arr. March] | Boris Vladimirovich Asafiev, Sofia National Opera Orchestra, Boris Spassov | C Major | 4 | 8B | 135 BPM | ||
| Grand Vals 6/8 (Diana and Actaeon Pas De Deux: "Actaeon's Variation") | Riccardo Drigo, Silvia Contenti | E♭ Major | 1 | 5B | 148 BPM | ||
| Battement Tendus 3 (Medium) - Dream a little Dream of me (Directed by Eunseok, Shin) | Ballet pianist Mia | B Major | 1 | 1B | 69 BPM | ||
| Warm up - Musical "Cats" Memory | Ballet pianist Mia | C Major | 4 | 8B | 95 BPM | ||
| Le Corsaire: Pas de Trois - Coda | Riccardo Drigo, English National Ballet Philharmonic, Gavin Sutherland | B♭ Major | 2 | 6B | 146 BPM | ||
| Grand Pas Classique Female Variation | Bruno Lawrence Raco | F Major | 1 | 7B | 103 BPM | ||
| Sleeping Beauty/Aurora Variation(Act.3) | Kim Ji Hyun | E Major | 2 | 12B | 112 BPM | ||
| La Sylphide: Act II: Sylph Scene: Divertissement | Herman Severin Løvenskiold, Kim Sjøgren, Royal Danish Orchestra, David Garforth | D Major | 0 | 10B | 78 BPM | ||
| Don Quixote, Act IV: Classical Variation I | Valery Zhelobinsky, Ludwig Minkus, Sofia National Opera Orchestra, Boris Spassov | D Major | 2 | 10B | 176 BPM | ||
| Giselle/Giselle Variation(Act.1) | Kim Ji Hyun | E Major | 2 | 12B | 114 BPM | ||
| Hérold & Lanchbery: La fille mal gardée, Act 2: No. 29, Pas de deux | Ferdinand Hérold, John Lanchbery, Royal Liverpool Philharmonic Orchestra, Barry Wordsworth | G Major | 1 | 9B | 88 BPM | ||
| La Sylphide: Act I: Effy's entrance | Herman Severin Løvenskiold, Kim Sjøgren, Royal Danish Orchestra, David Garforth | G Major | 0 | 9B | 37 BPM | ||
| 『ジゼル』(第1幕)よりジゼルのヴァリエーション | ガリーナ・ベズグラヤ | D Minor | 2 | 7A | 97 BPM | ||
| Barre: Tendus (Slow) | Nolwenn Collet | A Major | 0 | 11B | 116 BPM | ||
| Die Perle von Iberien: Estudiantina Polka | Joseph Hellmesberger, Jr., Czech Philharmonic Chamber Orchestra, John Georgiadis | B♭ Major | 0 | 6B | 153 BPM | ||
| Swan Lake Pas de Trois Female Variation | Bruno Lawrence Raco | B♭ Major | 1 | 6B | 119 BPM | ||
| Le pavillon d'Armide, Op. 29 (Excerpts): No. 6a, Variation - No. 6b, Variation pour Vicomte - No. 6c, Variation pour Armide - No. 6d, Code finale - No. 7, Scène mimique | Nikolai Tcherepnin, Moscow Philharmonic Orchestra, Henry Shek | E Major | 0 | 12B | 78 BPM | ||
| Emeralds - Faure: Incidental music to Pelleas et Melisande, Op. 80 and Shylock, Op. 57; Shylock - Final: Allegretto vivo | Gabriel Fauré, NEW YORK CITY BALLET ORCHESTRA/ROBERT IRVING, CONDUCTOR | B♭ Major | 1 | 6B | 145 BPM | ||
| Hérold & Lanchbery: La fille mal gardée, Act 1: No. 16a, Pas de deux de Fanny Elssler. Introduction | Ferdinand Hérold, John Lanchbery, Royal Liverpool Philharmonic Orchestra, Barry Wordsworth | F Major | 1 | 7B | 107 BPM | ||
| Les Millions d'Arlequin: Sérénade | Riccardo Drigo, Roberto Alagna, Morphing Chamber Orchestra, Giorgio Croci | G Major | 3 | 9B | 88 BPM |