Christopher Lewis, Daniel Marantz's ' "Reach For Those Days" was released on its scheduled release date, July 20, 2021. The duration of This song is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. Reach For Those Days's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 11 in the song's album "Pop Weekender". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United Kingdom. Reach For Those Days is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Reach For Those Days by Christopher Lewis, Daniel Marantz having a BPM of 75 with a half-time of 38 BPM and a double-time of 150 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Stone Circles | Thomas Hewitt Jones | B Minor | 1 | 10A | 100 BPM | ||
| Fall Intro | Tim Despic | B Major | 3 | 1B | 60 BPM | ||
| Yearning For The Past | Timothy Shortell, Hypersonic Music | G Minor | 6 | 6A | 180 BPM | ||
| Into Your Arms - Instrumental | Luke Muzzic | D♭ Minor | 7 | 12A | 174 BPM | ||
| Judge and Jury | Magnum Opus | G Minor | 7 | 6A | 137 BPM | ||
| Fading Signals | Johan Svensson | D Minor | 3 | 7A | 138 BPM | ||
| Hopeless Violin | Stefan Rodescu, Yannick Kalfayan | D Major | 8 | 10B | 126 BPM | ||
| House of Luxury | Brice Davoli | G Major | 3 | 9B | 183 BPM | ||
| Lost on You (Acoustic Version) | Alexandra Babakhanov | F Minor | 2 | 4A | 90 BPM | ||
| Ayşe Ile Kerem,Pt .2 | Aslı Demirer, Safa Hendem | A Minor | 1 | 8A | 146 BPM | ||
| Blue - Inst. | Hoody | B Minor | 4 | 10A | 138 BPM | ||
| Experience (Orchestral) | Cosimo Maria Palopoli, Daniel Hope, I Virtuosi Italiani | D♭ Major | 6 | 3B | 129 BPM | ||
| Ironclash | Or Chausha, Yaniv Barmeli, Liron Linker | G Minor | 5 | 6A | 115 BPM | ||
| Bigger Than Us All | Harry Spencer | E Major | 1 | 12B | 108 BPM | ||
| Mind Hunter | Thomas Jack Robson, Joni Amelia Fuller | B Minor | 9 | 10A | 105 BPM | ||
| Blinding Lights - Orchestral Version | Phil Larson, Rob Lowman | C Minor | 5 | 5A | 76 BPM | ||
| Contra Lo Invisible | Martison | F♯ Minor | 3 | 11A | 88 BPM | ||
| 2 Hearts Main Title | James Jandrisch | D Minor | 2 | 7A | 160 BPM | ||
| Uma (Main Theme from "Kulüp") | Ender Akay | D Minor | 2 | 7A | 75 BPM | ||
| There's No Coming Back from This | Dorian Marko | G Minor | 2 | 6A | 122 BPM | ||
| Awakening of Nature | Maxi Schulze, Maxi Menot, Moritz Limmer | C Minor | 0 | 5A | 77 BPM | ||
| Cry of the Ancients | Final Echoes | A Minor | 2 | 8A | 144 BPM | ||
| Cherished Rest | Fynn Heath | G Minor | 0 | 6A | 75 BPM | ||
| Love Me Like You Do - Instrumental Version | Ella Goldheart | F Minor | 4 | 4A | 95 BPM | ||
| Skylight | Mie Zgahn | A Minor | 2 | 8A | 99 BPM |