Various World Reknowed Orchestras And Conductors's 'Wine Women And Song' had a release date set for January 1, 2006. The duration of This song is about 3 minutes long, at 3:20. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 11 out of 111 in A Treasury of Golden Classics by Various World Reknowed Orchestras And Conductors. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. The popularity of Wine Women And Song is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Wine Women And Song by Various World Reknowed Orchestras And Conductors is Vivace (lively and fast), since this song has a tempo of 176 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
The music key of this track is E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| La fille mal gardée (Rev. Lanchbery), Act I: No. 1, Introduction - No. 2, Dance of the Cock and Hens | Ferdinand Hérold, Orchestra of the Royal Opera House, Covent Garden, John Lanchbery | D Major | 1 | 10B | 115 BPM | ||
| Carmen Ballet Suite (after Bizet): IX. Torero | Rodion Shchedrin, Slovenian Symphony Orchestra, Anton Nanut | F Major | 5 | 7B | 115 BPM | ||
| Eight Russian Folksongs for Orchestra, Op. 58: VI. Cradle Song (Lullaby). Moderato | Anatoly Lyadov, Alexander Gauk | C Minor | 2 | 5A | 72 BPM | ||
| Emperor Waltz, Op. 437 | Johann Strauss II, Eugene Ormandy | C Major | 1 | 8B | 92 BPM | ||
| Britten: Soirées musicales, Op. 9: II. Canzonetta | Benjamin Britten, English Chamber Orchestra, Alexander Gibson | C Major | 1 | 8B | 101 BPM | ||
| Fledermaus Overture | Various World Reknowed Orchestras And Conductors | D Major | 4 | 10B | 102 BPM | ||
| The Sleeping Beauty, Ballet Suite, op. 66a: Waltz | New Philharmonia Orchestra London, Lawrence Siegel | B♭ Major | 1 | 6B | 108 BPM | ||
| Sinfonia in G Major, RV 149: II. Andante | Antonio Vivaldi, Kaunas Chamber Orchestra, Silvano Frontalini | G Minor | 0 | 6A | 114 BPM | ||
| Voices of Spring Waltz, Op. 410 | Orchestra of the Viennese Volksoper & Alfred Scholz | C Minor | 1 | 5A | 99 BPM | ||
| The 4 Seasons: Violin Concerto in F minor, Op. 8, No. 4, RV 297, "L'inverno" (Winter): II. Largo | Karoly Botvay | B♭ Major | 0 | 6B | 68 BPM | ||
| Romeo and Juliet, Fantasy-Overture for Symphony Orchestra : Love theme | Tbilisi Symphony Orchestra, Vakhtang Kakhidze | D♭ Major | 1 | 3B | 86 BPM | ||
| The Unforgettable Year 1919 Suite, Op. 89a: The Assault On The Red Hill, "Assault On Beautiful Gorky" | Lev Atovmyan, Ellena Alekseyeva, Moscow Symphony Orchestra, Dmitri Shostakovich | F Major | 2 | 7B | 103 BPM | ||
| Light Cavalry | Franz von Suppé, Stefan Rachon Orchestra, Stefan Rachon | A Major | 3 | 11B | 130 BPM | ||
| Die Fledermaus | Rundfunkorchester des Südwestfunks Baden-Baden | D Major | 1 | 10B | 130 BPM | ||
| Sailing By | Ronald Binge, Slovak Radio Symphony Orchestra, Ernest Tomlinson | F Major | 0 | 7B | 80 BPM | ||
| Grieg: Peer Gynt, Op. 23, Act 1: Prelude. At the Wedding | Edvard Grieg, Lucia Popp, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 1 | 10B | 137 BPM | ||
| Le roi s'amuse: Gaillarde | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Minor | 1 | 8A | 96 BPM | ||
| Cefeidas : 2. El Pensamiento crítico | Juan Pablo Fernández Ramos | C Major | 1 | 8B | 101 BPM | ||
| Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | E Major | 2 | 12B | 123 BPM | ||
| Raymonda, Act I: Valse fantastique | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | F Major | 1 | 7B | 180 BPM | ||
| Giselle, Act 1: No. 3 Giselle’s Entrance, Giselle and Albrecht first meet and are discovered by Hilarion | Adolphe Adam, Tasmanian Symphony Orchestra, Nicolette Fraillon | E♭ Major | 1 | 5B | 88 BPM | ||
| Op. 66 - Panorama - Remastered 2024 | Tchaïkovsky, Bavarian Symphony Orchestra | D Major | 4 | 10B | 91 BPM | ||
| Vremena Goda (The Seasons), Op. 67: Summer: Waltz of the Cornflowers and the Poppies | Alexander Glazunov, Slovak Radio Symphony Orchestra | D Major | 1 | 10B | 100 BPM | ||
| Symphony in C Major, GB 115: I. Allegro vivo | Georges Bizet, Marc Soustrot, Aarhus Symphony Orchestra | G Major | 1 | 9B | 80 BPM | ||
| Symphony No. 41 in C Major, K 551 "Jupiter" Andante cantibile | The Royal Festival Orchestra | C Major | 1 | 8B | 72 BPM |