On September 10, 1967, the song "ピン・ポン・パン" was released by 榎本健一, 楠トシエ, ヴォーチェ・アンジェリカ, ボニージャックス. The duration of This song is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. ピン・ポン・パン's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in これが自由というものか エノケン・トリメロを歌う, so we believe that "ピン・ポン・パン" is a single. Based on our statistics, ピン・ポン・パン's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of ピン・ポン・パン by 榎本健一, 楠トシエ, ヴォーチェ・アンジェリカ, ボニージャックス is Allegro (fast, quick, and bright), since this song has a tempo of 122 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 男はつらいよ | 渥美 清 | G Major | 4 | 9B | 77 BPM | ||
| ゲイシャ・ワルツ | 神楽坂はん子 | G Minor | 1 | 6A | 104 BPM | ||
| 一週間 | ボニージャックス | F Minor | 5 | 4A | 133 BPM | ||
| 当世平和節 | Wataru Takada | B Minor | 6 | 10A | 118 BPM | ||
| グッドバイ・マイ・ラヴ | 敏いとうとハッピー&ブルー | B♭ Minor | 7 | 3A | 110 BPM | ||
| 新わからない節 | Wataru Takada | D Major | 3 | 10B | 124 BPM | ||
| あの娘の名前はなんてんかな | Kyu Sakamoto | G Minor | 4 | 6A | 69 BPM | ||
| ジャングル・ブギー | 笠置シヅ子 | C Major | 6 | 8B | 172 BPM | ||
| こげよマイケル | ザ・ドリフターズ | E♭ Major | 5 | 5B | 142 BPM | ||
| 奴さん | Chiemi Eri | G Major | 4 | 9B | 161 BPM | ||
| 恋のチュンガ | HIS | C Major | 4 | 8B | 132 BPM | ||
| 夕陽は赤く | Yuzo Kayama | E Major | 4 | 12B | 109 BPM | ||
| 俺は海の子 | Yuzo Kayama | G Major | 3 | 9B | 85 BPM | ||
| 愛の讃歌 | Fubuki Koshiji | D Major | 1 | 10B | 73 BPM | ||
| 南の島のハメハメハ大王 | 上條恒彦 | G Major | 2 | 9B | 140 BPM | ||
| いちごの片想い | 中尾ミエ | F Major | 4 | 7B | 118 BPM | ||
| 若き獅子たち | Shigeru Matsuzaki | B Major | 6 | 1B | 98 BPM | ||
| 東京だョおっ母さん | Chiyoko Shimakura | C Minor | 2 | 5A | 122 BPM | ||
| 霧の波止場 | 高倉健 | F Minor | 3 | 4A | 102 BPM | ||
| 有難や節 | Hiroshi Moriya | B Minor | 1 | 10A | 86 BPM | ||
| 電話(ハロー・ハロー)(下) | 榎本健一, 原初子 | C Minor | 2 | 5A | 97 BPM | ||
| ざんげの値打ちもないPart1 | 北原ミレイ | A♭ Minor | 6 | 1A | 99 BPM | ||
| 一杯のコーヒーから | Noboru Kirishima, ミス・コロムビア | D Major | 3 | 10B | 122 BPM | ||
| 夫婦春秋 -妻に捧ぐ | 村田英雄 | A♭ Major | 2 | 4B | 79 BPM | ||
| ツイスト・アンド・シャウト | 東京ビートルズ | C Major | 5 | 8B | 141 BPM |