Tabassum, Kishore Kumar, R. D. Burman's ' "Commentry Tabassum And Bachna Aye Hasinon Lo Main Aa Gaya" was released on its scheduled release date, January 8, 2012. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 4 out of 15 in Flash Back - Kishore Kumar With Tabassum by Tabassum, Kishore Kumar. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Commentry Tabassum And Bachna Aye Hasinon Lo Main Aa Gaya's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Commentry Tabassum And Bachna Aye Hasinon Lo Main Aa Gaya by Tabassum, Kishore Kumar, R. D. Burman is Allegro (fast, quick, and bright), since this song has a tempo of 132 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sambhalo Dil Zara | Geeta Dutt, Kalyanji-Anandji | D♭ Minor | 2 | 12A | 75 BPM | ||
| Tere Milan Ko Kaise Chaloon Piya | Asha Bhosle, R. D. Burman | A Major | 5 | 11B | 105 BPM | ||
| Deep Jalaye Jo Geeton Ke | Kalyanji-Anandji, Suresh Wadkar | F Major | 7 | 7B | 96 BPM | ||
| Do Naina Aur Ek Kahani | Aarti Mukherji, R. D. Burman | A Major | 3 | 11B | 96 BPM | ||
| Dekh Chand Ki Or | Shamshad Begum, Sailesh | C Major | 5 | 8B | 78 BPM | ||
| Kajre Ki Baati | K. J. Yesudas, Sulakshana Pandit | F Major | 4 | 7B | 134 BPM | ||
| Rimjhim Rimjhim Tan Pe Mere Pani | Anuradha Paudwal | D Minor | 6 | 7A | 168 BPM | ||
| Oh Latloosh | Mehmood, Lata Mangeshkar, R. D. Burman | G Minor | 4 | 6A | 94 BPM | ||
| Commentary Tabussum And O Saathi Re - Muqaddar Ka Sikandar | Tabassum, Kishore Kumar, Kalyanji-Anandji | F♯ Major | 5 | 2B | 99 BPM | ||
| Ruke Na Jo Jhuke Na Jo | Mahendra Kapoor, Kalyanji-Anandji | D♭ Minor | 7 | 12A | 110 BPM | ||
| Are Jaane Wale | Anuradha Paudwal | C Major | 5 | 8B | 82 BPM | ||
| Dil Dhadak Raha Hai | Mohammed Rafi, Lata Mangeshkar, Kishore Kumar | D♭ Minor | 6 | 12A | 78 BPM | ||
| Suhana Safar Film - Madhumati With Commentry | Mukesh, Ameen Sayani, Salil Chowdhury | A♭ Major | 1 | 4B | 112 BPM | ||
| Vada Na Tera Toote | Jagmohan Sursagar | B♭ Major | 4 | 6B | 92 BPM | ||
| Chalo Chalo Chachi | Usha Mangeshkar, Chandrani Mukherjee, Anwar, Nitin Mukesh | G Major | 6 | 9B | 182 BPM | ||
| Hari Din To Beeta Sham Huyi | Rajkumari | A Major | 1 | 11B | 78 BPM | ||
| Yari Hai Imaan Mera | Manna Dey, Kalyanji-Anandji | A♭ Major | 5 | 4B | 106 BPM | ||
| Ek Yaad Ke Sahare - Jhankar | Vinod Rathod | F♯ Minor | 8 | 11A | 79 BPM | ||
| Raat Ke Barah Baje | Amit Kumar, Anu Malik, Alka Yagnik | C Major | 9 | 8B | 184 BPM | ||
| Ok Ok | Udit Narayan | B♭ Major | 1 | 6B | 115 BPM | ||
| Paas Mein Aa | Vinod Rathod, Bela Sulakhe | A Minor | 6 | 8A | 88 BPM | ||
| Tum Hi Mera Chain | Shailendra Singh | F♯ Minor | 5 | 11A | 90 BPM | ||
| Jawan Jane Jan | Udit Narayan, Purnima | A♭ Minor | 6 | 1A | 147 BPM | ||
| Dhanno Ki Aankhon Mein (From "Kitaab") | R. D. Burman | F♯ Major | 7 | 2B | 102 BPM | ||
| Kitne Phool | Bappi Lahiri, Kishore Kumar | F♯ Minor | 10 | 11A | 98 BPM |