"Strangers In The Day" by John Lurie had its release date on 1999. The duration of This song is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. Strangers In The Day's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 21 in Down By Law & Variety by John Lurie. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Strangers In The Day's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Strangers In The Day by John Lurie is Allegro (fast, quick, and bright), since this song has a tempo of 134 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 1/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Single Foot | Moondog | B♭ Minor | 3 | 3A | 157 BPM | ||
| Requiem | Lennie Tristano | G Minor | 5 | 6A | 138 BPM | ||
| Floating Clarinet | John Lurie | F♯ Minor | 3 | 11A | 73 BPM | ||
| Caribea | Moondog | A Minor | 8 | 8A | 101 BPM | ||
| Piano of Erosion | Howe Gelb, Arizona Amp and Alternator | G Major | 3 | 9B | 92 BPM | ||
| Kimberley Trumpet | Miles Davis, Michel Legrand, Chuck Findley | D Minor | 5 | 7A | 107 BPM | ||
| Mélodie pour les radio-taxis - BOF "Un témoin dans la ville" | Barney Wilen | D Minor | 1 | 7A | 79 BPM | ||
| Schubertauster | Vincent Peirani, Emile Parisien | A♭ Major | 1 | 4B | 133 BPM | ||
| No Pain for Cakes | The Lounge Lizards | G Minor | 2 | 6A | 128 BPM | ||
| The Job | Daniel Diaz | F Major | 3 | 7B | 148 BPM | ||
| Isla (The Sapphic Sleep) | Alejandro Jodorowsky | E♭ Minor | 2 | 2A | 72 BPM | ||
| Sinking Fears | Freddie Colonal | G Minor | 0 | 6A | 134 BPM | ||
| Pablo et dora | Michel Portal | B♭ Minor | 1 | 3A | 131 BPM | ||
| Car | John Lurie | B♭ Minor | 1 | 3A | 184 BPM | ||
| Hearing Weird Noises In The Back Room | Joel Fausto & Illusion Orchestra | B♭ Minor | 5 | 3A | 120 BPM | ||
| Brown Storm Poem | Vincent Gallo | A♭ Minor | 2 | 1A | 94 BPM | ||
| The Secret of the Dead Sea | Erik Truffaz | G Major | 6 | 9B | 112 BPM | ||
| Une Cellier | The Dale Cooper Quartet | D Major | 1 | 10B | 59 BPM | ||
| Rubin | Marvin Pontiac | D♭ Minor | 3 | 12A | 161 BPM | ||
| African Waltz | Galt MacDermot, His Trio | A Minor | 2 | 8A | 97 BPM | ||
| Pussywhistle Tea | CS + Kreme | D Minor | 2 | 7A | 83 BPM | ||
| Hiroshima, mon Amour – part.1 | Giovanni Fusco | C Major | 4 | 8B | 104 BPM | ||
| Frank 2000 Prelude | Thought Gang, David Lynch, Angelo Badalamenti | A♭ Major | 6 | 4B | 142 BPM | ||
| Pastoral II - 2000 Remaster | Moondog | C Major | 2 | 8B | 140 BPM | ||
| Domino | Tomasz Stańko | F Minor | 2 | 4A | 124 BPM |