On February 10, 1993, the song "Concerto In The Italian Style, BWV 971, "Italian Concerto": III. Presto" was released by Janos Sebestyen, Johann Sebastian Bach. With this song being around four minutes long, at 3:50, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Janos Sebestyen's "J. S. Bach: Italian Concerto / Chromatic Fantasia And Fugue / 12 Little Preludes" album is number 3 out of 22. On top of that, Hong Kong appears to be the country where this track was created. In terms of popularity, Concerto In The Italian Style, BWV 971, "Italian Concerto": III. Presto is currently average in popularity. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Concerto In The Italian Style, BWV 971, "Italian Concerto": III. Presto by Janos Sebestyen, Johann Sebastian Bach to be Moderato (at a moderate speed) because the track has a tempo of 111 BPM, a half-time of 56BPM, and a double-time of 222 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Gavotte In D Major, 'Rosine' | Francois-Joseph Gossec, Balazs Szokolay | D Major | 1 | 10B | 132 BPM | ||
| Sicilienne, Op. 78 | Gabriel Fauré, Harriet Krijgh, Kamilla Isanbaeva | G Minor | 1 | 6A | 123 BPM | ||
| Minuet & Trio in G Major, WAB 220 | Anton Bruckner, Mari Kodama | C Major | 2 | 8B | 127 BPM | ||
| Widor: Toccata (from Symphony No. 5) | Charles-Marie Widor, David Poulter | F Major | 2 | 7B | 119 BPM | ||
| Vivaldi: Flute Concerto in D Major, Op. 10 No. 3, RV 428 "Il gardellino": II. Cantabile | Antonio Vivaldi, Emmanuel Pahud, Australian Chamber Orchestra, Richard Tognetti | D Major | 0 | 10B | 108 BPM | ||
| Lieder ohne Worte, Op. 19b: Lieder ohne Worte (Song without Words) No. 6 in G Minor, Op. 19, No. 6, "Venezianisches Gondellied" [Venetian Gondola Song] | Felix Mendelssohn, Péter Nagy | G Major | 0 | 9B | 101 BPM | ||
| Fantasie c-Moll BWV 919 | Inge Rosar, Johann Sebastian Bach | A♭ Major | 1 | 4B | 132 BPM | ||
| Oboe Concerto in C Major, Op. 9, No. 5: III. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | C Major | 3 | 8B | 103 BPM | ||
| St. Matthew Passion, BWV 244: No. 54 Choral: O Haupt voll Blud und Wunden | Johann Sebastian Bach, Istvan Gati, Peter Koves, Agnes Mester, Jozsef Mukk, Judit Nemeth, Janos Remenyi, Ibolya Verebics, Hungarian Festival Chorus, Hungarian Radio Children's Choir, Hungarian State Symphony Orchestra, Géza Oberfrank | F Major | 1 | 7B | 69 BPM | ||
| Concerto for Flute and Harp in C Major, K. 299: II. Andantino | Wolfgang Amadeus Mozart, Jiří Válek, Hana Mullerova, Capella Istropolitana, Richard Edlinger | F Major | 1 | 7B | 111 BPM | ||
| Concerto Grosso In F Major, Op. 6, No. 2: I. Vivace - Allegro - Adagio - Vivace - Allegro - Largo Andante | Arcangelo Corelli, Quido Holbling, Ludovit Kanta, Anna Holbling, Daniela Ruso, Capella Istropolitana | F Major | 2 | 7B | 131 BPM | ||
| Symphony in G Minor, Op. 6, No. 6, W. C12: I. Allegro | Johann Christian Bach, Concerto Köln | D Major | 2 | 10B | 139 BPM | ||
| Piano Sonata No. 13 in B-Flat Major, K. 333: III. Allegretto grazioso | Wolfgang Amadeus Mozart, András Schiff | B♭ Major | 0 | 6B | 73 BPM | ||
| Couperin, F: Second Livre de pièces de clavecin, Sixième Ordre: Les baricades mïstérieuses | François Couperin, Jean Rondeau | A Major | 1 | 11B | 145 BPM | ||
| Boccherini: String Quintet in E Major, Op. 11 No. 5, G. 275: III. Minuetto - Trio (Arr. Woodhouse for String Orchestra) | Luigi Boccherini, Sir Neville Marriner, Academy of St. Martin in the Fields | A Major | 0 | 11B | 85 BPM | ||
| Wachet auf, ruft uns die Stimme, BWV 645 | Yo-Yo Ma, Ton Koopman, Amsterdam Baroque Orchestra | D Major | 0 | 10B | 79 BPM | ||
| 16 Waltzes, Op. 39 (1867 Version): No. 15 In A Flat Major | Johannes Brahms, Idil Biret | D Major | 1 | 10B | 143 BPM | ||
| Sonates sans basse: Sonata No. 5 in B Minor, TWV 40:105: Vivace | Georg Philipp Telemann, Mindy Rosenfeld, Stephen Schultz, American Baroque | B♭ Minor | 0 | 3A | 165 BPM | ||
| Troisième livre de pièces de clavecin: 18ème ordre, Le tic-toc-choc ou les maillotins - Adapted by Marina Baranova | François Couperin, Marina Baranova | A♭ Major | 0 | 4B | 69 BPM | ||
| Sonata in E Minor (Allegrissimo), Kk. 98 | Domenico Scarlatti, Ivo Pogorelich | E Minor | 0 | 9A | 84 BPM | ||
| Grande valse brillante in E-Flat Major, Op. 18 | Frédéric Chopin, Arthur Rubinstein | A♭ Major | 1 | 4B | 117 BPM | ||
| Concerto No. 2 In G Minor RV 578: II. Allegro (Vivaldi) | Accademia Bizantina | F♯ Minor | 3 | 11A | 120 BPM | ||
| The Seasons, Op. 37a: VI. June. Barcarolle | Pyotr Ilyich Tchaikovsky, Bruce Liu | G Minor | 0 | 6A | 76 BPM | ||
| Sonata (Sinfonia) a 5 in G Minor, Op. 2, No. 6: II. Allegro | Tomaso Albinoni, Capella Istropolitana, Jaroslav Krcek | F Major | 2 | 7B | 136 BPM | ||
| Chromatic Fantasy and Fuge, In D Minor BWV 903, Chromatische Fantasie and Fuge, D Moll BWV 903: Fantasie | Pieter-Jan Belder, Arts Music Recording, Rotterdam, Johann Sebastian Bach | C Minor | 3 | 5A | 76 BPM |