On February 7, 2000, the song "Баба Яга" was released by Modest Mussorgsky, Оркестр Золотого Света. The duration of This song is about 3 minutes long, at 3:06. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There is only one song in 20 лучших классических мелодий, so we believe that "Баба Яга" is a single. The popularity of Баба Яга is currently unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Баба Яга by Modest Mussorgsky, Оркестр Золотого Света is Presto (very, very fast), since this song has a tempo of 180 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Planets, Op. 32: I. Mars, the Bringer of War | Gustav Holst, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 5 | 4B | 149 BPM | ||
| Violin Concerto in D Minor, Op. 47: II. Adagio di molto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | B♭ Major | 1 | 6B | 173 BPM | ||
| String Quintet in C Major, D. 956: IV. Finale. Allegretto | Franz Schubert, Mstislav Rostropovich, Emerson String Quartet | G Major | 1 | 9B | 97 BPM | ||
| Boris Godunov, Prologue Scene 1: "Na kogo zh ty nas pokidaesh?" | Modest Mussorgsky, Nikolai Rimsky-Korsakov, Станислав Сулейманов, Николай Низиенко, Людмила Юрченко, Нина Новосёлова, хор Большого театра, Mark Ermler, Оркестр Большого театра | A Minor | 1 | 8A | 88 BPM | ||
| D'un matin de printemps | Lili Boulanger, Yan Pascal Tortelier, BBC Philharmonic | C Major | 1 | 8B | 130 BPM | ||
| Boris Godunov | Modest Mussorgsky, Choir of the Bolshoi Theater, Vladimir Atlantov, Mark Ermler, Yevgeny Nesterenko, Yelena Obratsova, Yuri Mazurok, Alexandr Ognivcev, Orchestra of The Bolshoi Theater | C Major | 2 | 8B | 80 BPM | ||
| Symphony No. 41 in C Major, K. 551 "Jupiter": IV. Finale. Molto allegro | Wolfgang Amadeus Mozart, Wiener Philharmoniker, Karl Böhm | G Major | 2 | 9B | 141 BPM | ||
| Piano Concerto No. 3 in C Major, Op. 26: II. Tema con variazioni | Sergei Prokofiev, Martha Argerich, Berliner Philharmoniker, Claudio Abbado | C Major | 2 | 8B | 116 BPM | ||
| Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
| Piano Concerto in A Minor, Op. 54: II. Intermezzo (Andantino grazioso) | Robert Schumann, Krystian Zimerman, Berliner Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 70 BPM | ||
| Symphony No. 2 in E Minor, Op. 27: II. Allegro molto | Sergei Rachmaninoff, Philadelphia Orchestra, Yannick Nézet-Séguin | D Minor | 1 | 7A | 70 BPM | ||
| Pelléas et Mélisande - Incidental Music To Maeterlinck's Play, Op.46 (1905): 9. The Death Of Mélisande | Jean Sibelius, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 0 | 6B | 72 BPM | ||
| Pelléas et Mélisande, Op.80: 3. Sicilienne | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 0 | 6A | 111 BPM | ||
| In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | ||
| Gnomus | Modest Mussorgsky, Karin Bloemen, Berliner Philharmoniker, Herbert von Karajan | E Major | 2 | 12B | 66 BPM | ||
| Symphony No. 3 In C Minor, Op. 78 "Organ Symphony": 1. Adagio - Allegro moderato - Poco adagio | Camille Saint-Saëns, Simon Preston, Berliner Philharmoniker, James Levine | A♭ Major | 1 | 4B | 118 BPM | ||
| Symphony No. 9 in E-Flat Major, Op. 70: II. Moderato | Dmitri Shostakovich, Berliner Philharmoniker, Kirill Petrenko | B♭ Minor | 2 | 3A | 122 BPM | ||
| Serenade for Strings in E Major, Op. 22, B. 52: IV. Larghetto | Antonín Dvořák, Prague Chamber Orchestra, Petr Skvor | A Major | 1 | 11B | 91 BPM | ||
| Symphony No. 5 in E Minor, Op. 64: IV. Finale. Andante maestoso – Allegro vivace – Moderato assai e molto maestoso – Presto – Molto meno mosso | Pyotr Ilyich Tchaikovsky, Berliner Philharmoniker, Kirill Petrenko | E Major | 3 | 12B | 141 BPM | ||
| Les soirs illuminés par l'ardeur du charbon, L.150 (Arr. by Colin Matthews) | Claude Debussy, Colin Matthews, Hallé, Sir Mark Elder | D♭ Major | 0 | 3B | 79 BPM | ||
| 10 Pieces, Op. 12: No. 7, Prelude | Sergei Prokofiev, Olli Mustonen | C Major | 1 | 8B | 76 BPM | ||
| Japanese Suite, Op. 33, H. 126: II. Ceremonial Dance | Gustav Holst, Ulster Orchestra, Joann Falletta | C Minor | 3 | 5A | 103 BPM | ||
| Fantasia & Fugue in C Minor, Op. 86 (After J.S. Bach's BWV 537): Fantasia | Edward Elgar, Seattle Symphony Orchestra, Gerard Schwarz | F Minor | 1 | 4A | 143 BPM | ||
| Symphony No. 5 in B-Flat Major, Op. 100: II. Allegro marcato | Sergei Prokofiev, The Cleveland Orchestra, Franz Welser-Möst | C Major | 0 | 8B | 105 BPM | ||
| Boris Godunov | Modest Mussorgsky, Choir of the Bolshoi Theater, Yelena Obratsova, Yuri Mazurok, Alexandr Ognivcev, Orchestra of The Bolshoi Theater, Vladimir Atlantov, Mark Ermler, Yevgeny Nesterenko | C Major | 2 | 8B | 80 BPM |