"David Diamond (b. 1915): Elegy In Memory Of Maurice Ravel" by David Diamond, John Adams, Orchestra of St. Luke's had its release date on 1990. This song is about six minutes long, preciously at 6:19, making this song fairly long compared to other songs. The song is number 10 out of 10 in American Elegies by John Adams. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. The popularity of David Diamond (b. 1915): Elegy In Memory Of Maurice Ravel is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of David Diamond (b. 1915): Elegy In Memory Of Maurice Ravel by David Diamond, John Adams, Orchestra of St. Luke's is Vivace (lively and fast), since this song has a tempo of 168 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Romeo and Juliet, Op. 64, Act I: No. 1, Introduction | Sergei Prokofiev, Los Angeles Philharmonic, Gustavo Dudamel | B Major | 0 | 1B | 130 BPM | ||
| No More Dams | David Diamond, Curt Scheib, Jan Halmes, Jack Stamp, Keystone Wind Ensemble, IUP Wind Ensemble | A Minor | 3 | 8A | 106 BPM | ||
| Piano Concerto No. 1, Op. 45: II. Andante (ma rubato) | Einojuhani Rautavaara, Laura Mikkola, Royal Scottish National Orchestra, Hannu Lintu | D♭ Major | 0 | 3B | 104 BPM | ||
| The Story Of A Flemish Farm Suite: Night By The Sea - Farewell To The Flag | RTE Concert Orchestra, Ralph Vaughan Williams | F Minor | 0 | 4A | 107 BPM | ||
| Symphony No. 1 in E Major, Op. 26: II. Allegro dramatico | Alexander Scriabin, Danish National Symphony Orchestra, Fabio Luisi | B♭ Minor | 2 | 3A | 86 BPM | ||
| Fractured Mind | Orithia | D♭ Major | 1 | 3B | 101 BPM | ||
| Concerto for Orchestra, BB 123, Sz. 116: IV. Intermezzo interrotto | Béla Bartók, Toronto Symphony Orchestra, Gustavo Gimeno | B Major | 0 | 1B | 130 BPM | ||
| Phantasy Quintet: IV. Burlesca: Allegro moderato | Ralph Vaughan Williams, Garfield Jackson, Maggini Quartet | A Major | 1 | 11B | 70 BPM | ||
| Serenade After Plato's "Symposium": IV. Agathon. Adagio | Leonard Bernstein, Esther Yoo, Royal Philharmonic Orchestra, Long Yu | B Major | 0 | 1B | 130 BPM | ||
| Rounds for String Orchestra: III. Allegro vigoroso | David Diamond, Los Angeles Chamber Orchestra, Gerard Schwarz | G Minor | 0 | 6A | 129 BPM | ||
| Gaspard de la nuit: I. Ondine (arr. M. Constant for orchestra) | Maurice Ravel, フランス国立リヨン管弦楽団, レナード・スラットキン | D♭ Major | 0 | 3B | 115 BPM | ||
| Contratiempo | Armonias | D♭ Major | 5 | 3B | 121 BPM | ||
| A Song before Sunrise | Frederick Delius, Royal Scottish National Orchestra, David Lloyd-Jones | A♭ Major | 2 | 4B | 125 BPM | ||
| Violin Concerto No. 2 in D Minor, Op. 61: II. Andantino sostenuto | Karol Szymanowski, Warmia Symphonic Orchestra, Silvano Frontalini, Beatrice Antonionini | A♭ Major | 4 | 4B | 103 BPM | ||
| Symphony No. 5, Op. 50: Ib. Adagio | Carl Nielsen, Danish National Symphony Orchestra, Fabio Luisi | G Major | 3 | 9B | 117 BPM | ||
| A Fugal Concerto, Op. 40, No. 2: II. Adagio | Gustav Holst, Anna Pyne, Philip Harmer, English Sinfonia, Howard Griffiths | C Minor | 1 | 5A | 88 BPM | ||
| Stille Musik: I. Walzer des Augenblicks | Valentin Silvestrov, Munich Chamber Orchestra | A Minor | 0 | 8A | 60 BPM | ||
| Max Bruch Romanze Op.85 | Christian Yoo | F Major | 1 | 7B | 140 BPM | ||
| Music, when soft voices die | David Diamond, Mary Logan Hastings, Jan Halmes, Jack Stamp, Keystone Wind Ensemble, IUP Wind Ensemble | D Minor | 2 | 7A | 90 BPM | ||
| Symphony No. 14, "Morgenen" (the Morning), BVN 336: II. Upaagtede morgenstjerner [Unnoticed morning stars] | Rued Langgaard, Danish National Choir, Danish National Symphony Orchestra, Thomas Dausgaard | F Major | 0 | 7B | 81 BPM | ||
| Symphony No. 1 in B-Flat Minor: II. Scherzo. Presto, con malizia | William Walton, London Symphony Orchestra, Sir Colin Davis | F Major | 2 | 7B | 153 BPM | ||
| Escenas | Gabriel Bouche Caro, Clare Monfredo, Eric Schultz | A Minor | 1 | 8A | 88 BPM | ||
| Love's Labour's Lost, Op.28: 3. Soliloquy 3: On a day, alack the day - Instrumental | Gerald Finzi, Aurora Orchestra, Nicholas Collon | B♭ Major | 1 | 6B | 103 BPM | ||
| Hungarian Sketches, Sz. 97: IV. Slightly Tipsy | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | A♭ Major | 1 | 4B | 55 BPM | ||
| Symphony No. 8: III. Volante | Mihkel Kerem, Royal Liverpool Philharmonic Orchestra, Andrew Manze | A Minor | 1 | 8A | 110 BPM |