Rameshwar Pathak's ' "Sakal Duniya Dukkha" was released on its scheduled release date, December 1, 1982. With this song being around four minutes long, at 3:30, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Rameshwar Pathak, Dhanada Pathak's "Kamrupi Lokgeet" album is number 1 out of 9. On top of that, India appears to be the country where this track was created. The popularity of Sakal Duniya Dukkha is currently unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Sakal Duniya Dukkha by Rameshwar Pathak to be Vivace (lively and fast) because the track has a tempo of 171 BPM, a half-time of 86BPM, and a double-time of 342 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tera Dar Har Dar Se Nirala Sai Bhajan | Anup Jalota, Avinash Jha | A Minor | 10 | 8A | 105 BPM | ||
| O Maya Nadi | Rameshwar Pathak | A♭ Minor | 7 | 1A | 84 BPM | ||
| Kashi Dur Jaau Panyashi | Shakuntala Jadhav | D Major | 7 | 10B | 137 BPM | ||
| Krishna Krishna Sudhu Krishna | Anup Jalota | F Minor | 8 | 4A | 110 BPM | ||
| Tara Tara Bole | Parikshit Bala | F Minor | 4 | 4A | 86 BPM | ||
| Bhalobese Bhikhari Holam | Gostho Gopal Das | F♯ Major | 7 | 2B | 92 BPM | ||
| Aar Chahina Janam | Gostho Gopal Das | E♭ Minor | 5 | 2A | 149 BPM | ||
| Pacharile Parbati Maa | Namita Agrawal | A♭ Minor | 7 | 1A | 82 BPM | ||
| KRISHNA BOLE AMAR RADHA | Aditi Munshi | C Major | 5 | 8B | 84 BPM | ||
| Podaboli Kirtan (Holi Leela) | Aditi Munshi | B Major | 4 | 1B | 93 BPM | ||
| O He Bholanath | Rameshwar Pathak, Murchana Pathak | B Minor | 7 | 10A | 128 BPM | ||
| E Shudhu Gaaner Din | Amrita Das Bhaumik | A♭ Major | 3 | 4B | 125 BPM | ||
| Santan Ke Sang Laag Re | Madan Gopal | B♭ Major | 6 | 6B | 88 BPM | ||
| Shree Dattacha Palna | Uttara Kelkar | E Minor | 5 | 9A | 87 BPM | ||
| More Dayar | Zubeen Garg | D Minor | 4 | 7A | 89 BPM | ||
| Mukh Sundar Hole | Sanajit Mondal | C Major | 4 | 8B | 89 BPM | ||
| Ke Jao Tumi | Gostho Gopal Das | B♭ Major | 4 | 6B | 96 BPM | ||
| Maje Kuldevata Tu Khandu Deva | Shankar Patil | F♯ Major | 6 | 2B | 75 BPM | ||
| Ki Bole Daki Tore Ma | Dhananjay Bhattacharya | F Major | 3 | 7B | 79 BPM | ||
| Durga Amar | Amar Pal | G Major | 6 | 9B | 81 BPM | ||
| Tumi Prabhu Anathar Nath | Rameshwar Pathak, Dhanada Pathak | A♭ Major | 3 | 4B | 92 BPM | ||
| Aikuni Venucha Nad | Godavaribai Munde, Rameshbua Shengaonkar, Kashiram Bua | A Major | 7 | 11B | 93 BPM | ||
| Aage Aage Paduthiba Khai Kaudi | Namita Agrawal | G Minor | 7 | 6A | 144 BPM | ||
| Montro Tantro | Swami Divyavratananda, Ramakrishna Mission | F♯ Major | 5 | 2B | 136 BPM | ||
| Binat Karo ¬ Bhai Maninder Singh Ji | Bhai Maninder Singh Ji Hazuri Ragi, North Kirtan Studio | E Major | 6 | 12B | 100 BPM |