"We Did Not Make the Instrument, the Instrument Made Us" by Kaki King had its release date on March 3, 2015. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 11 in the song's album "The Neck Is a Bridge to the Body". In this album, this song's track order is #11. In terms of popularity, We Did Not Make the Instrument, the Instrument Made Us is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With We Did Not Make the Instrument, the Instrument Made Us by Kaki King having a BPM of 118 with a half-time of 59 BPM and a double-time of 236 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| This Place Is a Shelter | Ólafur Arnalds | B♭ Major | 1 | 6B | 87 BPM | ||
| Judge | Giddanz | D Minor | 1 | 7A | 154 BPM | ||
| Dancing With Endless Love | Disperse | A Major | 5 | 11B | 129 BPM | ||
| Cruise Night | Stationary Plants | A Major | 7 | 11B | 150 BPM | ||
| Already Elsewhere | The Six Parts Seven | E Major | 5 | 12B | 77 BPM | ||
| Skies Minus | Helios | C Major | 2 | 8B | 77 BPM | ||
| Blackfriars | Anna Meredith | F♯ Minor | 2 | 11A | 116 BPM | ||
| Mint Green | Andrew Shapiro | A Major | 1 | 11B | 116 BPM | ||
| Chetowalk Sound | Alsever Lake | A♭ Minor | 6 | 1A | 82 BPM | ||
| Fortuna | Kaki King | F Minor | 2 | 4A | 109 BPM | ||
| Halving The Compass | Helios | G Major | 4 | 9B | 116 BPM | ||
| Introductions | Chris Walla | A Minor | 0 | 8A | 65 BPM | ||
| The Stars In Spring | Epic45 | F♯ Major | 6 | 2B | 118 BPM | ||
| Night After Sidewalk | Kaki King | A♭ Minor | 3 | 1A | 130 BPM | ||
| Slow Collapse | Orisun Paths | E♭ Minor | 3 | 2A | 160 BPM | ||
| Sad American | Kaki King | B Minor | 6 | 10A | 116 BPM | ||
| I Will Become the Ground You Walk On | Hammock | G Major | 3 | 9B | 137 BPM | ||
| A Chance Grain of Rye | Lowercase Noises | B♭ Major | 3 | 6B | 86 BPM | ||
| Mountain Quail | Dust Follows | B♭ Minor | 5 | 3A | 160 BPM | ||
| The Quiet at Night | Mary Lattimore | D Major | 2 | 10B | 108 BPM | ||
| Aereoaviones | Tristeza | G Major | 4 | 9B | 161 BPM | ||
| Branch Line Summers Fade | July Skies | B♭ Minor | 3 | 3A | 100 BPM | ||
| Oars | Aukai | C Minor | 3 | 5A | 100 BPM | ||
| So Long, Lonesome | Explosions In The Sky | F♯ Major | 4 | 2B | 105 BPM | ||
| Solipsist | Kaki King | F♯ Major | 4 | 2B | 85 BPM |