Martin Carlberg's ' "Writing Lyrics Part 4" was released on its scheduled release date, April 14, 2020. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 20 in the song's album "On Songwriting". In this album, this song's track order is #17. In terms of popularity, Writing Lyrics Part 4 is currently unknown. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Writing Lyrics Part 4 by Martin Carlberg having a BPM of 109 with a half-time of 54 BPM and a double-time of 218 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Will I Ever See The Day (Bonus Track) | Randall Bramblett | D Major | 4 | 10B | 83 BPM | ||
| Lovely Lonely Days | Space To Play | D Major | 5 | 10B | 81 BPM | ||
| Get Rude | Charlie Bedford | A♭ Major | 7 | 4B | 176 BPM | ||
| Where the River´S Still Deep | b Harryson | G Major | 4 | 9B | 132 BPM | ||
| Cold Coffee & Second Chances | Dusty Boom | E Minor | 6 | 9A | 172 BPM | ||
| When You're Being Lied To | Jude Cole | C Major | 5 | 8B | 138 BPM | ||
| Now It's Over | T. Frank | B♭ Major | 5 | 6B | 87 BPM | ||
| Background Noise | Antony whittaker | F♯ Major | 4 | 2B | 81 BPM | ||
| Good While It Lasted | Imogen Clark | E Major | 5 | 12B | 99 BPM | ||
| Would Not Have It Any Other Way | Chris Jones | F Major | 5 | 7B | 86 BPM | ||
| Are You Lonely For Me Baby? | Mike Farris | A Major | 6 | 11B | 98 BPM | ||
| Looking For A Devil Among Angels | Jim Camacho | E Major | 5 | 12B | 99 BPM | ||
| ASK AND RECEIVE | CALEB DAWSON | E Major | 5 | 12B | 99 BPM | ||
| Your Time to Soar | Cody Decker, Martin Carlberg | B Minor | 7 | 10A | 108 BPM | ||
| Moonlight | Randy Lee Riviere | G Major | 4 | 9B | 124 BPM | ||
| Bara Va | Martin Carlberg | E Major | 4 | 12B | 125 BPM | ||
| Once Around | Martin Carlberg | A Major | 8 | 11B | 100 BPM | ||
| Steeples | Ben Sollee | E Major | 5 | 12B | 99 BPM | ||
| End On Love | Martin Carlberg | G Major | 2 | 9B | 146 BPM | ||
| NEO-PUNK AGGRO | Daztic Sonic Jive | D♭ Major | 9 | 3B | 184 BPM | ||
| Don't Beat Yourself Up | Lachy Doley | G Major | 7 | 9B | 95 BPM | ||
| White Knuckles | Tony Malmberg and White Knuckles | E Major | 8 | 12B | 99 BPM | ||
| I Don't Know Why | Chris Jones, Steve Baker | E Major | 4 | 12B | 140 BPM | ||
| Southern Pride | Adam Drake, Gareth Johnson | D♭ Major | 7 | 3B | 100 BPM | ||
| I've Been Calling | Lazlo's Gone | G Major | 7 | 9B | 144 BPM |