"Tonada de otoño en Mendoza" by Raúl Lavié had its release date on October 2, 2015. With this song being around four minutes long, at 3:54, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 10 out of 10 in Argentina porque te quiero tanto CD1 by Raúl Lavié. Tonada de otoño en Mendoza is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Tonada de otoño en Mendoza by Raúl Lavié is Adagio (slowly with great expression), since this song has a tempo of 67 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| En Sombras Tu | Alfredo Abalos, Nicolás Colacho Brizuela, Juan E. Romero, Martín Abalos Santillán, Lidio Reyes, Ruben Lobo | G Major | 4 | 9B | 87 BPM | ||
| Naciendo | Raúl Lavié, Lucho Gonzalez | C Minor | 3 | 5A | 96 BPM | ||
| Volverás | Osvaldo Fresedo | A Minor | 4 | 8A | 109 BPM | ||
| Tinta Roja | La Chicana | E Major | 2 | 12B | 108 BPM | ||
| Los Cosos De Al Lao | Rubén Juárez | C Major | 2 | 8B | 91 BPM | ||
| Somos Como Somos | Eladia Blazquez | C Major | 3 | 8B | 81 BPM | ||
| Los Mareados | Anibal Troilo y su orquesta, Francisco Fiorentino | D Minor | 3 | 7A | 126 BPM | ||
| Convencernos (with Eladia Blázquez) | Chico Novarro, Eladia Blázquez | B Minor | 4 | 10A | 127 BPM | ||
| Sin Tu Mitad | Saul Cosentino, Raúl Lavié | D♭ Minor | 3 | 12A | 170 BPM | ||
| Naranjo en Flor | Sandra Luna, Franco Luciani, Leonardo Andersen, Pablo Motta | A Major | 2 | 11B | 170 BPM | ||
| Tengo Una Historia Así | Sandro | G Minor | 9 | 6A | 152 BPM | ||
| Barrio de Tango - En Vivo | Marianela Villalobos, Nicolás Guerschberg, Raúl Lavié | C Major | 4 | 8B | 185 BPM | ||
| Romance De Barrio | Cacho Castaña, Adriana Varela | F♯ Minor | 5 | 11A | 88 BPM | ||
| Morir de Amor | Mariana Mazú | G Minor | 4 | 6A | 126 BPM | ||
| Cuesta Abajo | Tango Argentino, Raúl Lavié | F Minor | 3 | 4A | 121 BPM | ||
| Hasta siempre amor | Orquesta Típica Misteriosa Buenos Aires | A Minor | 3 | 8A | 67 BPM | ||
| Nada Más | La Auténtica Milonguera | C Minor | 6 | 5A | 147 BPM | ||
| Trátame Suavemente - En Vivo | Yamila Asero | F♯ Minor | 4 | 11A | 149 BPM | ||
| Cordón | Carla Algeri, Raúl Lavié | G Major | 1 | 9B | 73 BPM | ||
| La Canción y el Poema (Morir de Amor) | Soledad Villamil | C Minor | 5 | 5A | 122 BPM | ||
| Fuimos | Susana Rinaldi | B♭ Major | 2 | 6B | 100 BPM | ||
| Desde el alma | Nelly Omar | E Minor | 5 | 9A | 89 BPM | ||
| Cordón | Chico Novarro | G Major | 2 | 9B | 151 BPM | ||
| Cuesta Abajo | Ricardo "Chiqui" Pereyra | C Minor | 3 | 5A | 79 BPM | ||
| Barrio reo - Remastered | Hugo Del Carril | B Major | 2 | 1B | 130 BPM |