Ravindra Jain's ' "Sagar Tatt Par Aa Gaye Sainya Sahit Sri Ram" was released on its scheduled release date, January 1, 2007. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 35 in the song's album "Sunder Kaand". In this album, this song's track order is #14. Furthermore, we believe that the track originated from India. Sagar Tatt Par Aa Gaye Sainya Sahit Sri Ram is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Sagar Tatt Par Aa Gaye Sainya Sahit Sri Ram by Ravindra Jain having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Jai Jagdish Hare - Ramayan Bhajan | Ravindra Jain, Arun Ingle | G Major | 6 | 9B | 101 BPM | ||
| Pal Pal Tere Sath Main Rehta Hu | Sanjay Mittal | A♭ Major | 7 | 4B | 126 BPM | ||
| Sampooran Sundar Kaand | Babla Mehta | D♭ Major | 2 | 3B | 110 BPM | ||
| Ab Ke Baras | Mahendra Kapoor, Laxmikant–Pyarelal | F♯ Major | 6 | 2B | 94 BPM | ||
| Teri Murli Ki Dhun Sunne Main Barsane Se Aayi Hoon | Upasana Mehta | A Minor | 8 | 8A | 93 BPM | ||
| Maiya Tene Ka Thani Mann Mein | Ravindra Jain | B Major | 3 | 1B | 173 BPM | ||
| Ram Katha Sankshipt Bharat Seo Kapi Keh Daari (From "Lanka Kaand") | Arun Dangle, Ravindra Jain | A Minor | 6 | 8A | 95 BPM | ||
| Duniya Se Main Haara | Chetna | C Major | 10 | 8B | 115 BPM | ||
| Lingaashtakam | Pujya Bhaishree Rameshbhai Ojha | D♭ Major | 8 | 3B | 102 BPM | ||
| Saanware Aai Jaiyo | Ravindra Sathe | D♭ Major | 5 | 3B | 67 BPM | ||
| Mahara Kirtan Mein | Manish Tiwari | A♭ Major | 6 | 4B | 116 BPM | ||
| Geeta Gyan - Meri Sharan Mein Aake Jo Baithe | Ravindra Jain | F Minor | 3 | 4A | 99 BPM | ||
| Samjan Jivan Mathi | NARAYANSWAMI | F Major | 4 | 7B | 83 BPM | ||
| Are Dawarpalo | Lakhbir Singh | C Minor | 8 | 5A | 173 BPM | ||
| Ankhiyon Ke Jharokhon Se - Part 1 | Hemlata, Ravindra Jain | E♭ Major | 5 | 5B | 82 BPM | ||
| Vegi Haro Hanuman Mahaprabhu - Sankatmochan Hanumanastak | Roop Kumar Rathod | A Minor | 5 | 8A | 79 BPM | ||
| Sawan Ki Rut Hai | Sonu Nigam | B Minor | 8 | 10A | 90 BPM | ||
| Ye Maya Teri Bahut Kathin Hain Ram | Manoj Mishra | A♭ Major | 8 | 4B | 80 BPM | ||
| Jay Adhya Shakti Aarti | Usha Mangeshkar | E Major | 5 | 12B | 112 BPM | ||
| Jagdaati Pahadonwali Maa (From "Mahima Vaishno Devi Ki") | Sonu Nigam | A Minor | 5 | 8A | 79 BPM | ||
| Sone Ke Chhatron Waliye (From "Mahima Vaishno Devi Ki") | Sonu Nigam | B♭ Minor | 7 | 3A | 97 BPM | ||
| Duniya Rachnewale Ko Bhagwan Kehte Hain | Lakhbir Singh Lakkha | A♭ Minor | 5 | 1A | 103 BPM | ||
| Zari Ki Pagari Bandhey Sunder Aankhon Wala | Mridul Krishan Shastri | F♯ Major | 8 | 2B | 142 BPM | ||
| करुणा करो कष्ट हरो ज्ञान दो भगवन। | Mahesh Hiremath | A♭ Minor | 4 | 1A | 138 BPM | ||
| Radhe Radhe Rato Chale Aayenge Bihari | Sonal Gadhvi | D♭ Major | 9 | 3B | 142 BPM |