The Devlins's 'Five Miles to Midnight' had a release date set for 2002. With this song being around four minutes long, at 4:10, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 11 out of 12 in Consent by The Devlins. Going off of the ISRC code of this track, we detected that the origin of this track is from Turks and Caicos Islands. Five Miles to Midnight is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Five Miles to Midnight by The Devlins is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Know This I Am | The Slow Readers Club | C Major | 5 | 8B | 114 BPM | ||
| Big Sleeper | Eskobar | B♭ Minor | 8 | 3A | 127 BPM | ||
| Run Run | Colin Macleod | F♯ Major | 2 | 2B | 135 BPM | ||
| We Decide | Columbia Mills | C Major | 7 | 8B | 100 BPM | ||
| Light Forms | Jesse Marchant | D Major | 3 | 10B | 161 BPM | ||
| Your Name In Lights | Simple Minds | C Minor | 7 | 5A | 125 BPM | ||
| Slide off the Earth | Kanadia | E Minor | 7 | 9A | 92 BPM | ||
| Luxury Apartments | Courtesy Car | C Minor | 5 | 5A | 160 BPM | ||
| The Phone Book | Editors | D♭ Major | 6 | 3B | 92 BPM | ||
| There Is a Light | The Devlins | B♭ Minor | 5 | 3A | 113 BPM | ||
| Kingdom Of Rust | Doves | G Minor | 7 | 6A | 105 BPM | ||
| Addiction | Columbia Mills | D♭ Major | 4 | 3B | 100 BPM | ||
| Loveless | Hail the Ghost | D♭ Major | 4 | 3B | 80 BPM | ||
| Four Winds | Unquiet Nights | D Major | 7 | 10B | 122 BPM | ||
| Take My Heart Away You | Blue Miragee | G Major | 7 | 9B | 103 BPM | ||
| Some Nights | Blinker The Star | E♭ Major | 7 | 5B | 133 BPM | ||
| Kicks In | Colin Macleod | E Minor | 5 | 9A | 174 BPM | ||
| Understand | Columbia Mills | E Major | 8 | 12B | 125 BPM | ||
| WTLG Revisited | Aitor Castells | A♭ Minor | 4 | 1A | 120 BPM | ||
| Thin Times | Minerals | A Major | 2 | 11B | 89 BPM | ||
| London | The Exploding Boy | C Major | 5 | 8B | 132 BPM | ||
| Kicks In | Colin Macleod | G Major | 7 | 9B | 69 BPM | ||
| Book of Memories | Paul James Project | B♭ Major | 8 | 6B | 120 BPM | ||
| Daylight Actual | Matthew Good | B♭ Major | 7 | 6B | 140 BPM | ||
| Blue Morning | Lone Assembly | E♭ Minor | 6 | 2A | 130 BPM |