"Stiletto" by Michael Shrieve had its release date on 1989. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 7 in the song's album "Stiletto". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Turks and Caicos Islands. In terms of popularity, Stiletto is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Stiletto by Michael Shrieve having a BPM of 101 with a half-time of 50 BPM and a double-time of 202 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Aloft | Discipline. | G Minor | 4 | 6A | 128 BPM | ||
| Waterwheel | Oregon | E Minor | 5 | 9A | 131 BPM | ||
| School Days | Stanley Clarke | B Minor | 5 | 10A | 143 BPM | ||
| Where Now? | Aaron Parks | A♭ Major | 3 | 4B | 119 BPM | ||
| Golden Dilemma | Gong | A Major | 6 | 11B | 105 BPM | ||
| Upbeat | Addison$ | B Minor | 6 | 10A | 91 BPM | ||
| Beneath the Earth | Larry Coryell, Alphonse Mouzon | D Major | 6 | 10B | 105 BPM | ||
| Me and My Axe | Tony Levin, Jerry Marotta, Larry Fast, Steve Hunter | A Major | 4 | 11B | 182 BPM | ||
| Tidal Convergence | Ozric Tentacles | F Minor | 5 | 4A | 162 BPM | ||
| Esto Es un Fax | Beto Stocker | D♭ Minor | 6 | 12A | 192 BPM | ||
| Descending Scale | Peter Green | F Minor | 3 | 4A | 81 BPM | ||
| Joe Frazier | Bill Bruford | E Major | 6 | 12B | 117 BPM | ||
| Crossing The Line - Live | Stomu Yamash'ta, Steve Winwood, Michael Shrieve | C Minor | 7 | 5A | 134 BPM | ||
| Resident | Eddie Jobson, Zinc | E Minor | 8 | 9A | 104 BPM | ||
| Thunder Tactics | Michael Manring | A Major | 6 | 11B | 105 BPM | ||
| One Over the Eight | Soft Machine | D♭ Major | 2 | 3B | 140 BPM | ||
| Nightmare Patrol | Brand X | G Major | 4 | 9B | 91 BPM | ||
| Midnight On Mars | Ashra | G Major | 2 | 9B | 130 BPM | ||
| Prancing | Collin Walcott | C Minor | 1 | 5A | 149 BPM | ||
| Samurai Hee-Haw | Marc Johnson, Bill Frisell, John Scofield, Peter Erskine | A Major | 4 | 11B | 167 BPM | ||
| Blue Balls | Jasper Van't Hof, Wayne Krantz, Bob Malach | G Major | 8 | 9B | 106 BPM | ||
| Flying Polly | Michael Shrieve, Bill Frisell, Wayne Horvitz | E Minor | 9 | 9A | 125 BPM | ||
| Elegant Gypsy Suite | Al Di Meola | A Major | 6 | 11B | 100 BPM | ||
| Samosas & Kingfishers | Robby Krieger | B♭ Major | 6 | 6B | 137 BPM | ||
| Low-Lee-Tah | Larry Coryell | B Major | 4 | 1B | 144 BPM |