"Η θ΄ ωδή του Κανόνος της Αναστάσεως, ήχος α΄" by Ορθόδοξη Εκκλησιαστική Βυζαντινή Χορωδία had its release date on May 4, 1996. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There is only one song in Όρθρος Αναστάσεως, so we believe that "Η θ΄ ωδή του Κανόνος της Αναστάσεως, ήχος α΄" is a single. Based on our statistics, Η θ΄ ωδή του Κανόνος της Αναστάσεως, ήχος α΄'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Η θ΄ ωδή του Κανόνος της Αναστάσεως, ήχος α΄ by Ορθόδοξη Εκκλησιαστική Βυζαντινή Χορωδία is Allegro (fast, quick, and bright), since this song has a tempo of 137 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Την θεοπρεπή σου συγκατάβασιν δοξάζοτες… | Ορθόδοξη Εκκλησιαστική Βυζαντινή Χορωδία | D♭ Major | 5 | 3B | 137 BPM | ||
| The Era of Byzantion - Byzantine Hymns, Vol. 5 | Derechos Reservados De Autor, The Greek Byzantine Choir | A Minor | 4 | 8A | 73 BPM | ||
| Την Ωραιότητα | Monadiki Politeia | E Major | 3 | 12B | 59 BPM | ||
| I Gennisis Sou (Genesis) | Nikos Amorgianos, Byzantine Renaissance | C Major | 3 | 8B | 79 BPM | ||
| Μεθ’ Ἡμῶν Ὁ Θεός, Ἦχος Πλ. Β' | Γεώργιος Θεοδωρίδης | A♭ Major | 3 | 4B | 92 BPM | ||
| Απόστολοι Εκ Περάτων (Ηχ. Γ΄) | Ι. Μ. Ξενοφώντος | D♭ Major | 4 | 3B | 78 BPM | ||
| Χριστός Ανέστη | Βυζαντινή Ορχήστρα Αθηνών | E Minor | 5 | 9A | 125 BPM | ||
| Απολυτίκιο Αγιορειτών Πατέρων | Στέφανος Πελεκανής | F Major | 1 | 7B | 130 BPM | ||
| Panagia Despina | Les Moines du Mont Athos, Monahi tou Agiou Orous | B♭ Minor | 1 | 3A | 74 BPM | ||
| Ύμνος Των Αγίων Τριών Παίδων | Ορθόδοξη Εκκλησιαστική Βυζαντινή Χορωδία | C Major | 4 | 8B | 73 BPM | ||
| Kekragarion 2 | Anonyme, Frédéric Tavernier-Vellas, Choeur byzantin de Grèce | D Major | 2 | 10B | 77 BPM | ||
| Πάσα πνοή | Ορθόδοξη Εκκλησιαστική Βυζαντινή Χορωδία | A♭ Major | 4 | 4B | 177 BPM | ||
| Cherubic Hymn 1st Mode | Dynamis Byzantine Ensemble | B Minor | 2 | 10A | 135 BPM | ||
| În orașul Vitleem | Mihail Bucă | A Major | 4 | 11B | 108 BPM | ||
| Anoikso to Stoma | Kabarnos | D♭ Major | 2 | 3B | 114 BPM | ||
| Nouă azi ne-a răsărit | Mănăstirea Putna | E Major | 3 | 12B | 135 BPM | ||
| Tropari po neporocnim, glas 5. | Serbian Byzantine Choir "Mojsije Petrović" | D♭ Minor | 2 | 12A | 103 BPM | ||
| Εγώ δε επί σοι, Κύριε, ήλπισα… | Βυζαντινός Χορός των Τρικάλων | F Major | 2 | 7B | 134 BPM | ||
| Άγιος Ο Θεός… | Ρωμαίϊκο Σύνολο | B♭ Minor | 4 | 3A | 85 BPM | ||
| Ειρινικά, Ηχ. Πλ. Δ΄ | Ρωμαίϊκο Σύνολο | G Major | 3 | 9B | 127 BPM | ||
| “Έτη Και Έτη…” Μετά Του Β΄ Αντιφώνου | Χορός Βατοπαιδινών Πατέρων | C Major | 0 | 8B | 73 BPM | ||
| Εγκώμια Της Θεοτόκου | Στέφανος Πελεκανής | F Major | 1 | 7B | 130 BPM | ||
| Axion | Byzantion | E♭ Major | 3 | 5B | 84 BPM | ||
| Δύναμις, Ηχ. Α΄ | Ρωμαίϊκο Σύνολο | B♭ Minor | 3 | 3A | 119 BPM | ||
| Χριστός Ανέστη, αργό μέλος αρχαίον ήχος πλ. α΄ | Ορθόδοξη Εκκλησιαστική Βυζαντινή Χορωδία | D♭ Major | 5 | 3B | 137 BPM |