"Tailored for the Roundness" by Stephen Rippy had its release date on June 2, 2015. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 4 out of 9 in Dungeon Boss (Soundtrack from the Netflix Game) by Stephen Rippy. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Tailored for the Roundness's popularity is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of Tailored for the Roundness by Stephen Rippy is Allegro (fast, quick, and bright), since this song has a tempo of 130 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Faster Than Light (From Stellaris Original Game Soundtrack) - Instrumental | Andreas Waldetoft | D Minor | 2 | 7A | 130 BPM | ||
| The Imperial Fleet | Andreas Waldetoft | E Minor | 5 | 9A | 95 BPM | ||
| Premonition | Metro Exodus, Alexey Omelchuk | C Major | 2 | 8B | 138 BPM | ||
| Vanguard | Evan Rufh | D Major | 3 | 10B | 68 BPM | ||
| Cosmology | Stephen Barton | D♭ Minor | 2 | 12A | 102 BPM | ||
| The Fall of Reach | Halo, Tom Salta | B♭ Major | 1 | 6B | 74 BPM | ||
| Choreographite | Halo, Brian Trifon, Lennie Moore, Paul Lipson, Tom Salta | A♭ Major | 2 | 4B | 140 BPM | ||
| Not a Number | Paul Lipson, Lennie Moore, Tom Salta, Brian Trifon, Brian Lee White | E Minor | 1 | 9A | 82 BPM | ||
| Foundations | Halo, Curtis Schweitzer | F Major | 6 | 7B | 102 BPM | ||
| Vision of a Lasting Flame - Piano and Orchestra | Martin O'Donnell | B♭ Minor | 1 | 3A | 85 BPM | ||
| Tower | Gareth Coker | F Major | 6 | 7B | 102 BPM | ||
| Leaving Earth | Clint Mansell | E Minor | 3 | 9A | 39 BPM | ||
| Makin' a Sweep | Frank Klepacki | G Major | 4 | 9B | 90 BPM | ||
| A Future For The Krogan | Christopher Lennertz | B Minor | 4 | 10A | 96 BPM | ||
| Detroit City Ambient (Part 1) | Michael McCann | C Major | 1 | 8B | 90 BPM | ||
| Tension Vendors | Stephen Rippy | D Major | 3 | 10B | 76 BPM | ||
| Snowy Mountains | Mikael Karlsson | E Major | 2 | 12B | 140 BPM | ||
| Precinct Siege | Ola Strandh | B Minor | 8 | 10A | 180 BPM | ||
| Path to Oryx | C. Paul Johnson | F Minor | 1 | 4A | 64 BPM | ||
| Sanctuary 3 | Michael McCann | F♯ Minor | 5 | 11A | 160 BPM | ||
| Inner Demon | Nick Arundel | D♭ Major | 1 | 3B | 119 BPM | ||
| War Theme - Orchestral Version | Mikael Karlsson | C Minor | 2 | 5A | 143 BPM | ||
| Preparing the Arcole Charge | Richard Birdsall | G Major | 2 | 9B | 76 BPM | ||
| Search and Destroy | Frank Klepacki | F♯ Minor | 6 | 11A | 140 BPM | ||
| Voodoodoodoo | Todd Masten, Semitone Media Group | G Minor | 3 | 6A | 82 BPM |