"Balada para Guitarra" by Luis Salinas had its release date on 1999. The duration of This song is about 3 minutes long, at 3:28. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 20 in the song's album "Solo Guitarra". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Spain. Balada para Guitarra is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Balada para Guitarra by Luis Salinas having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| White Zone | Melodías Mágicas, The Los Angeles Jazz Ensemble, Manuel Olivera Almada | A Major | 1 | 11B | 168 BPM | ||
| Vendimia | Toñín Corujo | G Major | 5 | 9B | 90 BPM | ||
| Pombero | Horacio Castillo | A Major | 3 | 11B | 96 BPM | ||
| Junio en Buenos Aires | Valentino Jazz Bazar | F Major | 6 | 7B | 83 BPM | ||
| Zamba Tonada - Instrumental | Luis Salinas | D Major | 5 | 10B | 147 BPM | ||
| Seguir Viviendo Sin Tu Amor | Chango Spasiuk | D Major | 7 | 10B | 107 BPM | ||
| Debussyando | José Barrense-Dias | E Minor | 4 | 9A | 83 BPM | ||
| La voce calda del camino | Dolce Vita | D Minor | 1 | 7A | 116 BPM | ||
| Para Mateo | Puente Celeste | C Major | 2 | 8B | 114 BPM | ||
| Zamba De Mi Esperanza | Lucho Gonzalez, Luis Salinas | A Major | 1 | 11B | 108 BPM | ||
| A Quiet Yes | Harlan Veyra | A Major | 4 | 11B | 145 BPM | ||
| Cafetin De Buenos Aires | Iaies Adrian Trio | C Major | 4 | 8B | 109 BPM | ||
| Atardecer en la tapera | Rodrigo Terrón | D Major | 3 | 10B | 45 BPM | ||
| Almeida: Historia do luar | Laurindo Almeida, Sharon Isbin, Thiago de Mello | D Major | 2 | 10B | 114 BPM | ||
| Aire de Bossa | Mario Zedog, Anibal Seminario | C Major | 7 | 8B | 81 BPM | ||
| Chôro a Rosa | Rubén Parejo, Ausiàs Parejo | E Major | 2 | 12B | 91 BPM | ||
| Atardeciendo | Ángel Hechenleitner | E Minor | 1 | 9A | 92 BPM | ||
| Bossa Tango - versión I | Luis Salinas | B Minor | 3 | 10A | 134 BPM | ||
| Otra Oportunidad | Rio Bossa Trio, Bossa & Bose, Taryn Szpilman | D♭ Major | 1 | 3B | 97 BPM | ||
| Milonga Sureña Nº 5 | Carlos Moscardini | A Minor | 2 | 8A | 128 BPM | ||
| A Salvador Sena | Rudi y Nini Flores | B Minor | 3 | 10A | 106 BPM | ||
| La Humilde | Marcelo Dellamea, Ariel Sanchez | A Minor | 2 | 8A | 148 BPM | ||
| Methe Criolla | Luciano Supervielle | F Major | 2 | 7B | 120 BPM | ||
| Balanço Em Mi | José Barrense-Dias | E Major | 3 | 12B | 120 BPM | ||
| Chayita del Vidalero | Luis Salinas | G Major | 2 | 9B | 98 BPM |