Wendy Waldman's ' "Cold Back on Me" was released on its scheduled release date, 1974. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Wendy Waldman's "Gypsy Symphony" album is number 5 out of 11. On top of that, United States appears to be the country where this track was created. In terms of popularity, Cold Back on Me is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Cold Back on Me by Wendy Waldman to be Andante (at a walking pace) because the track has a tempo of 90 BPM, a half-time of 45BPM, and a double-time of 180 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
The music key of this track is B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Back in My Arms | Nicolette Larson | C Major | 7 | 8B | 123 BPM | ||
| Clear Day | Rab Noakes | A Major | 4 | 11B | 149 BPM | ||
| Last in Love | Nicolette Larson | B Major | 1 | 1B | 168 BPM | ||
| Brickyard Blues | Maria Muldaur | C Minor | 7 | 5A | 106 BPM | ||
| Exclusively For Me | Dusty Springfield | A♭ Minor | 3 | 1A | 140 BPM | ||
| Lose Again | Karla Bonoff | G Major | 2 | 9B | 118 BPM | ||
| I Want to Touch You | Bryndle, Karla Bonoff, Andrew Gold, Wendy Waldman, Kenny Edwards | E Major | 5 | 12B | 119 BPM | ||
| Welcome To The Cruise | Judie Tzuke | F Major | 7 | 7B | 133 BPM | ||
| Lowlands | The Ozark Mountain Daredevils | D Major | 1 | 10B | 100 BPM | ||
| Everyone Is Good | The Roches | C Major | 5 | 8B | 98 BPM | ||
| Does It Have to Be You | Sanford Townsend Band | A Major | 7 | 11B | 91 BPM | ||
| Losing True | The Roches | A Major | 3 | 11B | 147 BPM | ||
| Long Hot Summer Nights | Wendy Waldman | C Major | 6 | 8B | 95 BPM | ||
| Only The Heart Within You | Stephen Bishop | F Major | 2 | 7B | 75 BPM | ||
| Release | Michael Nesmith | D Major | 7 | 10B | 127 BPM | ||
| It's How You Think | The Ozark Mountain Daredevils | C Minor | 5 | 5A | 119 BPM | ||
| Cheated | Pousette-Dart Band | C Major | 6 | 8B | 202 BPM | ||
| HONEY WON'T YOU LET ME BE YOUR FRIEND | Keith Carradine | E Major | 4 | 12B | 140 BPM | ||
| Heart and Mind | Rebecca Pidgeon | C Major | 1 | 8B | 142 BPM | ||
| Stories We Could Tell | John Sebastian | C Major | 3 | 8B | 75 BPM | ||
| Don't You Make Me High - Don't You Feel My Leg | Maria Muldaur | B♭ Major | 4 | 6B | 86 BPM | ||
| The Road I Took to You | Barbara Keith | D Major | 1 | 10B | 186 BPM | ||
| First Things First | Stephen Stills | A♭ Major | 6 | 4B | 89 BPM | ||
| Brooklyn | Walter Becker, Donald Fagen | A Major | 3 | 11B | 91 BPM | ||
| Breath - e | Bernie Leadon | A Major | 1 | 11B | 100 BPM |