"Assassin’s Creed Theme (from "Assassin's Creed Revelations")" by Lorne Balfe, La Pietà, Angèle Dubeau had its release date on October 23, 2012. With this song being around four minutes long, at 4:21, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Angèle Dubeau's "Game Music" album is number 2 out of 9. Assassin’s Creed Theme (from "Assassin's Creed Revelations") is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Assassin’s Creed Theme (from "Assassin's Creed Revelations") by Lorne Balfe, La Pietà, Angèle Dubeau to be Andante (at a walking pace) because the track has a tempo of 83 BPM, a half-time of 42BPM, and a double-time of 166 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Scalpel and Hammer | Lorne Balfe | G Major | 4 | 9B | 142 BPM | ||
| Centurion | Ilan Eshkeri | D♭ Minor | 1 | 12A | 86 BPM | ||
| A Storm Is Coming | Lorne Balfe | D Major | 4 | 10B | 102 BPM | ||
| Death of a Master | Kevin Kiner, Takeshi Furukawa | G Minor | 2 | 6A | 67 BPM | ||
| Into Eternity - From "Thor: The Dark World"/Score | Brian Tyler | B♭ Major | 2 | 6B | 84 BPM | ||
| Blows | Roque Baños | A Major | 6 | 11B | 132 BPM | ||
| This Is For The Pearl | Thomas Wander, Harald Kloser | A Minor | 4 | 8A | 136 BPM | ||
| Up the Down Trench | Thomas Newman | G Major | 3 | 9B | 194 BPM | ||
| Ragnarok Suite | Mark Mothersbaugh | D Minor | 4 | 7A | 71 BPM | ||
| Seeing with New Eyes | Sarah Schachner | A♭ Major | 0 | 4B | 65 BPM | ||
| Empty Space | Richard Blair-Oliphant | D Major | 2 | 10B | 128 BPM | ||
| New Heaven, New Earth | Ryan Amon | D♭ Major | 4 | 3B | 140 BPM | ||
| One Man At A Time | Rupert Gregson-Williams | D Major | 5 | 10B | 116 BPM | ||
| The Dream Is Lost | Harry Gregson-Williams | D Minor | 0 | 7A | 68 BPM | ||
| The King of the Golden Hall | Howard Shore | E Minor | 1 | 9A | 139 BPM | ||
| Greeks are Winning | Junkie XL | D♭ Major | 4 | 3B | 80 BPM | ||
| The Normandy Reborn | Jack Wall | E Minor | 4 | 9A | 112 BPM | ||
| Remember Us - Based Upon Themes by Elliot Goldenthal | Tyler Bates | F Minor | 2 | 4A | 76 BPM | ||
| Suicide Mission | Jack Wall | D Minor | 5 | 7A | 117 BPM | ||
| Headlines | Rupert Gregson-Williams, Lorne Balfe | A♭ Major | 3 | 4B | 128 BPM | ||
| How It Ends | Atli Örvarsson | A♭ Major | 7 | 4B | 112 BPM | ||
| The All Spark | Steve Jablonsky | D Minor | 3 | 7A | 150 BPM | ||
| Jedi Eulogy | Kevin Kiner, Takeshi Furukawa | E♭ Major | 3 | 5B | 116 BPM | ||
| Lab | Martin Madrazo, Martin Lamo | F Minor | 3 | 4A | 135 BPM | ||
| Obliviate | Alexandre Desplat | C Major | 2 | 8B | 150 BPM |