Bodyjar's ' "Calling Orson" was released on its scheduled release date, August 21, 2000. The duration of This song is about 3 minutes long, at 3:03. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Bodyjar's "How It Works" album is number 6 out of 12. On top of that, United States appears to be the country where this track was created. Based on our statistics, Calling Orson's popularity is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Calling Orson by Bodyjar to be Allegro (fast, quick, and bright) because the track has a tempo of 152 BPM, a half-time of 76BPM, and a double-time of 304 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dead Tracks | Banner Pilot | A Major | 9 | 11B | 112 BPM | ||
| Like a Record Player | The Lawrence Arms | C Major | 9 | 8B | 154 BPM | ||
| Born to Burn | Sonix Nightshade | D Major | 9 | 10B | 134 BPM | ||
| To The Sheets | Broadway Calls | C Major | 5 | 8B | 163 BPM | ||
| Know The Score | 28 Days | G Major | 10 | 9B | 117 BPM | ||
| Friend | The Dead Love | D♭ Major | 8 | 3B | 105 BPM | ||
| Sore Losers | Bigwig | D Major | 10 | 10B | 101 BPM | ||
| 2810 | 88 Fingers Louie | A♭ Major | 10 | 4B | 163 BPM | ||
| Patricia | Flashlight Brown | D Major | 9 | 10B | 189 BPM | ||
| I Know You're Waiting | Autopilot Off | C Major | 9 | 8B | 122 BPM | ||
| Indebted | Autopilot Off | A Major | 10 | 11B | 194 BPM | ||
| Forth | No Fun At All | E Minor | 9 | 9A | 144 BPM | ||
| Bang, Bang, Bang | Something With Numbers | E Minor | 8 | 9A | 88 BPM | ||
| 1988 | 1208 | D♭ Minor | 9 | 12A | 146 BPM | ||
| Doctor Doctor | Gyroscope | C Major | 9 | 8B | 152 BPM | ||
| Friends of the Enemy | No Use For A Name | D Major | 10 | 10B | 151 BPM | ||
| Are You There Margaret? It's Me, God | The Lawrence Arms | A♭ Major | 10 | 4B | 105 BPM | ||
| Kemp | Millencolin | F♯ Minor | 10 | 11A | 135 BPM | ||
| Giving Up is a Gateway Drug | The Decline | C Major | 10 | 8B | 110 BPM | ||
| 99 | The Dead Love | D♭ Major | 10 | 3B | 138 BPM | ||
| Individuality | Area-7 | A Major | 9 | 11B | 88 BPM | ||
| Conclusion | Much The Same | F Minor | 10 | 4A | 110 BPM | ||
| Waiting On Me | Home Grown | F Minor | 9 | 4A | 91 BPM | ||
| Guardrails | Counterpunch | D Minor | 10 | 7A | 163 BPM | ||
| Deliver Us | The Explosion | E Minor | 10 | 9A | 75 BPM |