Ryuichi Sakamoto, 2CELLOS's 'M21 - 許し forgiveness' had a release date set for September 14, 2016. With this song being around four minutes long, at 4:24, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There is only one song in 「怒り」オリジナル・サウンドトラック, so we believe that "M21 - 許し forgiveness" is a single. The popularity of M21 - 許し forgiveness is currently not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of M21 - 許し forgiveness by Ryuichi Sakamoto, 2CELLOS is Vivace (lively and fast), since this song has a tempo of 172 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Mourning Forest Waltz | Masamichi Shigeno | C Major | 0 | 8B | 108 BPM | ||
| We'll live through the long, long days, and through the longnights (SAAB 900) | Eiko Ishibashi | D♭ Major | 5 | 3B | 114 BPM | ||
| Hollow | Bass Lover | N/A | N/A | N/A | 0 BPM | ||
| TEMA PARA ANA - Instrumental | Morelenbaum2, Ryuichi Sakamoto | F Major | 1 | 7B | 110 BPM | ||
| Across The Ocean | Christopher Bear, Daniel Rossen | A♭ Minor | 2 | 1A | 84 BPM | ||
| 穿过火焰 | 花伦(Hualun) | D♭ Minor | 7 | 12A | 77 BPM | ||
| la fine | Yiruma | G Major | 0 | 9B | 119 BPM | ||
| Tutu | Keiichiro Shibuya | C Minor | 1 | 5A | 114 BPM | ||
| 這樣對大家都好 鋼琴版 | 林生祥 | C Minor | 0 | 5A | 138 BPM | ||
| Bibo No Aozora (Arr. for Guitar by Jonathan Bockelmann) | Ryuichi Sakamoto, Jonathan Bockelmann | A Minor | 2 | 8A | 160 BPM | ||
| Dawn After Darkness | Cicada | D♭ Major | 2 | 3B | 114 BPM | ||
| Wounds Unseen | Maya | E♭ Minor | 0 | 2A | 79 BPM | ||
| Marginalia #48 | Masakatsu Takagi | E Major | 0 | 12B | 65 BPM | ||
| energy flow - rework | U-zhaan, Ryuichi Sakamoto | C Major | 4 | 8B | 168 BPM | ||
| For the Hungry Boy | Jonny Greenwood | C Major | 1 | 8B | 86 BPM | ||
| The Radiant City | Jóhann Jóhannsson, The Dirac Quartet | F Minor | 1 | 4A | 77 BPM | ||
| Halo | alva noto, Ryuichi Sakamoto | A♭ Major | 0 | 4B | 73 BPM | ||
| A Shimmer | Nils Frahm | A♭ Minor | 0 | 1A | 196 BPM | ||
| A Word I Give (with Ryuichi Sakamoto) | Goldmund, Ryuichi Sakamoto | F♯ Minor | 0 | 11A | 69 BPM | ||
| opus | Ryuichi Sakamoto | A Minor | 0 | 8A | 77 BPM | ||
| In a Landscape (1948) | John Cage, Stephen Drury | D Minor | 0 | 7A | 72 BPM | ||
| 風の道(Kaze no Michi) | Taeko Onuki, Ryuichi Sakamoto | D Minor | 0 | 7A | 132 BPM | ||
| Sakamoto: solari | Ryuichi Sakamoto, Hayato Sumino | A Minor | 0 | 8A | 98 BPM | ||
| KAREN(HOME DEMO) | Hiroshi Fujiwara | C Major | 0 | 8B | 128 BPM | ||
| Wrack | Ben Cosgrove | C Minor | 2 | 5A | 125 BPM |