"Where The Light Touches" by Lindsay Wright had its release date on May 13, 2021. With this song being around four minutes long, at 3:44, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. Since Where the Light Touches only contains only one song in the album, we like to consider this song as a single. The popularity of Where The Light Touches is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Where The Light Touches by Lindsay Wright has a tempo of 214 beats per a minute, the tempo markings of this song would be Prestissimo (even faster than presto). With Where The Light Touches being at 214 BPM, the half-time would be 107 BPM with a double-time of 428 BPM.The time signature for this track is 4/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Last to Let Go - Daigo Hanada Rework | Richard Luke, Daigo Hanada | C Minor | 1 | 5A | 98 BPM | ||
| Cartographer | Tristan Eckerson | D Minor | 3 | 7A | 131 BPM | ||
| Into the Fire | Patrick Jonsson | C Minor | 1 | 5A | 79 BPM | ||
| Zastój | Trevor Kowalski, Rebekah Heckler | C Major | 4 | 8B | 88 BPM | ||
| The Last Farm 5 | Kjartan Sveinsson | D♭ Minor | 2 | 12A | 83 BPM | ||
| Wayfinders | Trevor Kowalski | E Minor | 1 | 9A | 134 BPM | ||
| shimmer | Nikolas Ricard | G Major | 1 | 9B | 87 BPM | ||
| February 30 | ABBOTT | D♭ Minor | 1 | 12A | 88 BPM | ||
| Broken Radiance | Kyle Preston | C Minor | 1 | 5A | 69 BPM | ||
| Papaver | Adam Weiss | G Major | 2 | 9B | 141 BPM | ||
| Éxta | Sebastian Plano | B Minor | 3 | 10A | 120 BPM | ||
| Forgotten Faith - Instrumental | Borrtex | D Minor | 2 | 7A | 168 BPM | ||
| An Hour Off for Friendship | Luke Howard, Budapest Art Orchestra | G Major | 0 | 9B | 132 BPM | ||
| Inner Spaces | Gavin Luke | A Major | 1 | 11B | 78 BPM | ||
| Threnody (after Mozart) - (Arr. for Piano from Piano Concerto No. 23 in A Major, K. 488: II. Adagio by Olivia Belli) | Wolfgang Amadeus Mozart, Olivia Belli | F♯ Minor | 0 | 11A | 67 BPM | ||
| Solanales | Balmorhea | D Major | 0 | 10B | 69 BPM | ||
| Moving Slowly | Wilson Trouvé | F♯ Major | 1 | 2B | 90 BPM | ||
| We Came and Left (Solo Piano) | Cedric Vermue | F Minor | 2 | 4A | 158 BPM | ||
| Enigma | Hugar | D Minor | 1 | 7A | 140 BPM | ||
| In Metaphor, Solace - Nadje Noordhuis Rework | Luke Howard, Nadje Noordhuis | B♭ Minor | 1 | 3A | 63 BPM | ||
| Evening Star Original | Frances Shelley | D Minor | 2 | 7A | 170 BPM | ||
| Wolves | Angus MacRae | F Major | 1 | 7B | 140 BPM | ||
| Faded | Cedric Vermue | F Minor | 0 | 4A | 110 BPM | ||
| Dream Walker - Daigo Hanada Rework | John Hayes, Maxy Dutcher, Daigo Hanada | D Major | 1 | 10B | 139 BPM | ||
| Grevesmuehlen | ABBOTT | D♭ Minor | 1 | 12A | 88 BPM |