Miles Davis's ' "Hail To The Real Chief" was released on its scheduled release date, February 21, 2020. With this song being around four minutes long, at 3:40, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Miles Davis's "Music From and Inspired by The Film Birth Of The Cool" album is number 28 out of 28. On top of that, United States appears to be the country where this track was created. In terms of popularity, Hail To The Real Chief is currently below average in popularity. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Hail To The Real Chief by Miles Davis to be Andante (at a walking pace) because the track has a tempo of 103 BPM, a half-time of 52BPM, and a double-time of 206 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| One For Daddy-O | Cannonball Adderley | F Minor | 4 | 4A | 108 BPM | ||
| Pastor "T" | The RH Factor | A Minor | 6 | 8A | 108 BPM | ||
| Blow - 2015 Remaster | Miles Davis | G Major | 7 | 9B | 108 BPM | ||
| It Ain’t Necessarily So | Mary Lou Williams | E Minor | 1 | 9A | 126 BPM | ||
| Snake Eyes | Chip Wickham | C Minor | 8 | 5A | 107 BPM | ||
| High Wire | Erroll Garner | C Minor | 5 | 5A | 140 BPM | ||
| Pitch Black City Reunion | Moodymann | A♭ Major | 6 | 4B | 116 BPM | ||
| Bumpin' On Sunset | Wes Montgomery | E Minor | 2 | 9A | 108 BPM | ||
| Three | Nicholas Payton | F Major | 7 | 7B | 97 BPM | ||
| Milestones (feat. John Coltrane, Cannonball Adderley, Red Garland, Paul Chambers & Philly Joe Jones) | Miles Davis, John Coltrane, Cannonball Adderley, Red Garland, Paul Chambers, Philly Joe Jones | A Minor | 5 | 8A | 118 BPM | ||
| Tomorrow Is The Question | Julian Lage | G Major | 6 | 9B | 105 BPM | ||
| Ginger Beat | Lucas de Mulder, The New Mastersounds | G Minor | 7 | 6A | 141 BPM | ||
| 502 Blues (Drinkin' And Drivin') - Rudy Van Gelder Edition/2000 Digital Remaster/24 Bit Mastering | Wayne Shorter | A Minor | 3 | 8A | 126 BPM | ||
| Jazz Crimes | Joshua Redman | A♭ Minor | 6 | 1A | 115 BPM | ||
| PJFC | PYJÆN | B Minor | 7 | 10A | 136 BPM | ||
| From Gagarin's Point of View | Esbjörn Svensson Trio | D Minor | 0 | 7A | 103 BPM | ||
| Strange Meadow Lark | The Dave Brubeck Quartet | A♭ Major | 1 | 4B | 125 BPM | ||
| Soledad de Murcia | Michael Naura Quartet | A Major | 3 | 11B | 113 BPM | ||
| Diamonds And Pearls | Marcin Wasilewski Trio | G Major | 1 | 9B | 78 BPM | ||
| The Deuce | Terrace Martin, The Martin Family Trio | C Major | 8 | 8B | 137 BPM | ||
| The Pan Piper | Gil Evans, Miles Davis | A Minor | 1 | 8A | 73 BPM | ||
| Desire | Kamasi Washington | C Major | 6 | 8B | 88 BPM | ||
| Once | Nubya Garcia | D♭ Major | 5 | 3B | 137 BPM | ||
| Moanin' | Bobby Timmons | C Minor | 4 | 5A | 141 BPM | ||
| Salaam | Kamaal Williams | C Major | 5 | 8B | 161 BPM |