Jyotsna Srikanth's ' "Sama Based On A Popular South Indian Light Composition - Studio" was released on its scheduled release date, March 30, 2011. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 5 out of 6 in Carnatic Lounge (Studio) by Jyotsna Srikanth. The popularity of Sama Based On A Popular South Indian Light Composition - Studio is currently unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Sama Based On A Popular South Indian Light Composition - Studio by Jyotsna Srikanth is Vivace (lively and fast), since this song has a tempo of 170 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Varṇam - Rāgam: Kalyānī | L. Subramaniam, Viji Subramaniam, T. H. Subashchandran, Poovalur V. Srinivasan | B Major | 1 | 1B | 137 BPM | ||
| Bhimpalasri Fast Tintal | Nikhil Banerjee | A Major | 4 | 11B | 137 BPM | ||
| Nau | Bickram Ghosh, Kala Ramnath, Jesse Bannister | C Major | 5 | 8B | 110 BPM | ||
| Kriti Vatapi Ganapatim | Seeta Doraiswamy | F♯ Major | 3 | 2B | 116 BPM | ||
| Varnam - Raga Mohana - Adi Talam | Justyna Jablonska, Jyotsna Srikanth, Sunaad Anoor | F Major | 0 | 7B | 67 BPM | ||
| Nasikabhushani (To Zakir) | Dhafer Youssef | A Major | 1 | 11B | 119 BPM | ||
| Maha Ganapatim - Nata | T. N. Krishnan | A Major | 3 | 11B | 122 BPM | ||
| Midnight | Rokxy Gray | F Major | 0 | 7B | 67 BPM | ||
| Aarathi Veena - Om Jeya Jeya Sakthi | RANJANIDEVI SARAVANAN, MANU PRASAD | F Major | 0 | 7B | 67 BPM | ||
| Raga Man - Live | Robert Callender | D Major | 6 | 10B | 170 BPM | ||
| Raga Marwa - Drut Tintal Jhala | Kushal Das | E Major | 9 | 12B | 106 BPM | ||
| Swan Tune | Jyotsna Srikanth | A Major | 4 | 11B | 90 BPM | ||
| Agra | Downing And Mayer | C Major | 5 | 8B | 138 BPM | ||
| Saraswati Sitar | Sage Mode | D Major | 2 | 10B | 187 BPM | ||
| Romantic Dhun | Vishwa Mohan Bhatt, Sukhvinder Singh Namdhari | G Major | 2 | 9B | 146 BPM | ||
| Indus valley | Tetouze, Jehanne Drai | B♭ Major | 6 | 6B | 101 BPM | ||
| After the Rains | Ravi, Tarun Bhattacharya, Bickram Ghosh, Danny Thompson, Chandru Sheker, Hossam Ramzy | F Major | 6 | 7B | 79 BPM | ||
| Kṛiti by Saint Tyāgarāja - Rāgam: Bilaharị | L. Subramaniam, Viji Subramaniam, T. H. Subashchandran, Poovalur V. Srinivasan | B Major | 1 | 1B | 133 BPM | ||
| Sriman Narayana | L. Subramaniam, M. S. Subbulakshmi | D♭ Major | 2 | 3B | 93 BPM | ||
| Rhythm Drive - Adi | Akshay Anantapadmanabhan, Hrishikesh Dharam, IndianRaga, Rohan Krishnamurthy | B Major | 7 | 1B | 78 BPM | ||
| Flute of Vrindavan: A Journey Within | krishna's flute | C Major | 3 | 8B | 145 BPM | ||
| Sri Chakraraja - Ragamalika - Adi | Jyotsna Srikanth | G Major | 8 | 9B | 172 BPM | ||
| Merging Parallels- Tribute to Dear Zakir Ji | Apoorva Krishna, Varijashree Venugopal, Aleif Hamdan, Sunaad Anoor, Bruthuva Caleb | F Major | 1 | 7B | 102 BPM | ||
| Raga Aberi Track 07 | L. Shankar | B♭ Minor | 6 | 3A | 92 BPM | ||
| Mount Kharak | Tibetans in Ladakh | D Major | 4 | 10B | 138 BPM |