Traditional, Pandit Ajoy Chakrabarty's ' "Ab to Rat Lagi Lagi Mori - Raga Bihag" was released on its scheduled release date, September 11, 2024. With this song being around four minutes long, at 4:12, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 13 in the song's album "Passage to India: Vocal India, Vol. 2". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United States. In terms of popularity, Ab to Rat Lagi Lagi Mori - Raga Bihag is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Ab to Rat Lagi Lagi Mori - Raga Bihag by Traditional, Pandit Ajoy Chakrabarty having a BPM of 95 with a half-time of 48 BPM and a double-time of 190 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Whitacre: Five Hebrew Love Songs: Temuná (A Picture) | Eric Whitacre, Eric Whitacre Singers | G Major | 0 | 9B | 73 BPM | ||
| Tallis: Spem in Alium - 2. in Tribulatione Dimittis | The Tallis Scholars, Peter Phillips | B Minor | 2 | 10A | 78 BPM | ||
| With Prayer and Supplicaton | Amy Beach, Capitol Hill Choral Society, Paul Hardy, Betty Buchanan | F♯ Minor | 1 | 11A | 108 BPM | ||
| Canticum Beatum | The Schola Cantorum of St. John XXIII Parish, Cantos Gregorianos, Monges da Abadia de Notre Dame | D Minor | 0 | 7A | 82 BPM | ||
| Annunciation Peal Of Bells | Traditional, The Benedictine Nuns of Notre-Dame de l'Annonciation, Le Barroux, Claude Pateau | D Minor | 2 | 7A | 95 BPM | ||
| Zlatnih Krila | Oratorijski zbor crkve sv. Marka Cantores sancti Marci | F Major | 1 | 7B | 133 BPM | ||
| Polyeleopsalmi (Kiitäkää Herran nimeä) | P. Ivanov, Tampere Orthodox Choir, Johtajana Risto Matsi | G Major | 0 | 9B | 130 BPM | ||
| Ah, Holy Jesus | The National Lutheran Choir | G Minor | 0 | 6A | 110 BPM | ||
| Bogoroditse Devo, raduysia | Sergey Khvoshchinsky, The Rose Ensemble, Jordan Sramek | E♭ Major | 2 | 5B | 87 BPM | ||
| Sing we and chaunt it | Robert Lucas Pearsall, Pre-Raphaelite Singer, The, Anthony Rooley | G Major | 1 | 9B | 74 BPM | ||
| Traditional: Ad Completorium: Antiphona ad Beatam Mariam Virginem "Salve Regina" | Traditional, Cistercian Monks of Stift Heiligenkreuz | D Major | 0 | 10B | 132 BPM | ||
| Missa Brevis 3 | Kórinn Himnasmiður, Dr. Bragi Þór Valsson, Þorkell Sigurbjörnsson, Bragi Thor Valsson | A♭ Minor | 2 | 1A | 76 BPM | ||
| Creator Of The Stars | Cantores Regina Caeli | C Major | 1 | 8B | 131 BPM | ||
| All My Hope on God Is Founded | The Choir of Trinity College, Melbourne, Australian Chamber Brass, Jonathan Bradley, Michael Leighton Jones | F Major | 3 | 7B | 85 BPM | ||
| Song for Snow | Florence Beatrice Price, VocalEssence Ensemble Singers, Paul Shaw, Philip Brunelle | G Major | 0 | 9B | 114 BPM | ||
| Workin' for the Dawn of Peace (Arr. for Choir by Ron Jeffers) | Irving Gordon, Walter Kittredge, Skylark Vocal Ensemble, Matthew Guard | D♭ Major | 2 | 3B | 106 BPM | ||
| Messe brève No. 7: IV. O Salutaris Hostia | Charles Gounod, Tobias Gotting, Kammerchor I Vocalisti, Hans-Joachim Lustig | D♭ Major | 2 | 3B | 97 BPM | ||
| Quid gloriaris in malitia (salmo 51) | Orfeón de Miravalles | C Minor | 1 | 5A | 78 BPM | ||
| The Shower | Edward Elgar, Traditional, Trondheim Kammerkor | F Minor | 0 | 4A | 139 BPM | ||
| Greensleeves | Traditional, London Cello Orchestra | E Minor | 1 | 9A | 88 BPM | ||
| Regreso a la Tonada (Arr. Eduardo Ferraudi) | Sexteto Cantábile | F Minor | 1 | 4A | 108 BPM | ||
| 4 Tantum ergo, WAB 41: No. 4 in C Major (Version for Choir) | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | C Major | 1 | 8B | 69 BPM | ||
| The Marriage of Figaro, K. 492, Act IV: Finale - Contessa perdono | Wolfgang Amadeus Mozart, Benjamin Holder, Hungarian Studio Orchestra, Hungarian Studio Choir | A Major | 1 | 11B | 52 BPM | ||
| Creator alme siderum | Richard Burchard, Ars Veritas, Schola Cantorum, Jeremy D. Jones, Jakob Patriksson | E♭ Major | 2 | 5B | 127 BPM | ||
| Benedictine Monks of the Abbey of Saint Maurice | Gregorian Chanting Monks, Benedictine Monks of the Abbey, Gregorian Chants Healing | A Minor | 2 | 8A | 63 BPM |