"2017" by Nick & June, The Antlers had its release date on December 5, 2025. This song is quite longer than the average track at 4 minutes and 52 seconds. With that being said, this track is also considered explicit and may be offensive to some people. There are a total of 10 in the song's album "New Year’s Face". In this album, this song's track order is #4. Based on our statistics, 2017's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With 2017 by Nick & June, The Antlers having a BPM of 140 with a half-time of 70 BPM and a double-time of 280 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Fall for Me | Nick & June | E♭ Major | 3 | 5B | 106 BPM | ||
| Allowed to Be | Constant Smiles | F Minor | 3 | 4A | 135 BPM | ||
| Endings Are Breaking My Heart | Tom Smith | F Major | 2 | 7B | 102 BPM | ||
| New Leaf | The Reds, Pinks and Purples | C Major | 7 | 8B | 80 BPM | ||
| Real | Chantal Acda, Bruno Bavota, Adam Wiltzie, Beatrijs De Klerck, Pavel Karlik, Gerd Van Mulders, Phill Brown, Niels Van Heertum | E Minor | 5 | 9A | 140 BPM | ||
| Dreaming, Ella. (Reimagined) | The Town Council | D Major | 4 | 10B | 174 BPM | ||
| ordinary life | before close, Jodie Nicholson, Joe Ramsey | A♭ Major | 2 | 4B | 98 BPM | ||
| Track 11 | Foreign Fields, Hayden Calnin | F♯ Minor | 3 | 11A | 118 BPM | ||
| Pour | The Antlers | D Major | 6 | 10B | 113 BPM | ||
| Mosquito | Westerman | B♭ Major | 4 | 6B | 99 BPM | ||
| DESIGNED TO LOSE | The Twilight Sad | A Major | 4 | 11B | 118 BPM | ||
| staður | RAKEL | C Major | 2 | 8B | 175 BPM | ||
| Shaking | Laika Songs | C Major | 2 | 8B | 112 BPM | ||
| Runaway robin | When Heaven met Earth, Peter Broderick | D Minor | 2 | 7A | 94 BPM | ||
| Lost On Me | Jeffrey East | E Minor | 5 | 9A | 140 BPM | ||
| Tables and Chairs (Orchestral Version) | Andrew Bird, Nu Deco Ensemble | D Major | 7 | 10B | 145 BPM | ||
| Read My Mind | Other Lives | G Major | 5 | 9B | 94 BPM | ||
| For What? | Nat Vazer | E♭ Minor | 5 | 2A | 75 BPM | ||
| Lover, You Should've Come Over | Rocky Votolato | E Minor | 5 | 9A | 140 BPM | ||
| Quieter Tone | ELITIN, Elijah Bisbee, Justin Miller | A Minor | 3 | 8A | 101 BPM | ||
| Are You Talking To Me | Matt Pond PA, Anya Marina | F Major | 6 | 7B | 130 BPM | ||
| Werewolf Ending | Pictish Trail | E♭ Major | 5 | 5B | 115 BPM | ||
| Day In New York | Keaton Henson | C Major | 2 | 8B | 88 BPM | ||
| Arpeggiator | Laika Songs | G Major | 4 | 9B | 143 BPM | ||
| 98% lit moon | When Heaven met Earth, Peter Broderick | C Major | 2 | 8B | 118 BPM |