George Coleman's 'After Hours Improvisation' had a release date set for 1997. With This song being less than two minutes long, at 1:59, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 29 out of 30 in Field Recordings Vol. 6: Texas (1933-1958) by Various Artists. After Hours Improvisation is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of After Hours Improvisation by George Coleman is Adagio (slowly with great expression), since this song has a tempo of 73 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Where Is Love | McCoy Tyner Trio | D Minor | 3 | 7A | 171 BPM | ||
| Eloise | George Coleman | A♭ Minor | 3 | 1A | 80 BPM | ||
| My Funny Valentine | Ron Carter, Jimmy Cobb, Mike Stern, George Coleman | E♭ Major | 1 | 5B | 134 BPM | ||
| Laced With Love | Orión Natera | F Minor | 2 | 4A | 107 BPM | ||
| Piekna Lola, Kwiat Polnocy - Remastered 2025 | Zbigniew Namyslowski Modern Jazz Quartet | C Major | 1 | 8B | 104 BPM | ||
| Manorism | Ben Paterson Trio | C Minor | 2 | 5A | 104 BPM | ||
| Them That Got (I Ain't Got Nothing Yet) | David "Fathead" Newman | A♭ Major | 4 | 4B | 117 BPM | ||
| A Time for Love - Full Orchestral Intro | George Coleman | A♭ Major | 2 | 4B | 81 BPM | ||
| Aspiration | Orión Natera | A♭ Major | 3 | 4B | 98 BPM | ||
| Midnight Blue | Ben Webster, Oliver Nelson | A♭ Major | 3 | 4B | 79 BPM | ||
| Details Details Details | William Hill III | E♭ Minor | 3 | 2A | 67 BPM | ||
| Cool It Right | George Coleman | A♭ Minor | 3 | 1A | 80 BPM | ||
| Never Let Me Go | Brian Charette, George Coleman, Vic Juris, George Coleman Jr. | G Minor | 1 | 6A | 118 BPM | ||
| Bedouin Trail | Dave Holland Quintet | C Major | 0 | 8B | 98 BPM | ||
| Hi-Fly | Art Farmer & Benny Golson Jazztet | D♭ Major | 3 | 3B | 143 BPM | ||
| Human Impact | Human Being Human, Chris Cheek | C Major | 1 | 8B | 104 BPM | ||
| A Lick of My Raspberry Mivvi | Kevin Sargent | B♭ Minor | 3 | 3A | 204 BPM | ||
| Punsu | The Art Farmer Quartet | C Major | 2 | 8B | 93 BPM | ||
| Entrada | Wolfgang Lackerschmid, Helio Alves, Nilson Matta, Duduka Da Fonseca, The Brazilian Trio | C Major | 1 | 8B | 104 BPM | ||
| Momentary Mystery | Lisa Hilton | F Major | 1 | 7B | 133 BPM | ||
| Confirmation - Alt Take | Gloria Coleman, Eric Johnson, George Coleman, Jr, George Coleman | G Minor | 3 | 6A | 105 BPM | ||
| Fountain | Tom Harrell | F Major | 3 | 7B | 116 BPM | ||
| Humming Bird (Remastered 1985) | Paul Gonsalves | C Major | 3 | 8B | 145 BPM | ||
| Electrical pylons | raLoki | C Major | 1 | 8B | 104 BPM | ||
| My Foolish Heart | Brandi Disterheft, George Coleman | G Minor | 2 | 6A | 132 BPM |