On September 19, 2017, the song "Ekade Ek Rakho Khodalmani Tek - Original" was released by Rakesh Barot, NA. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 9 in the song's album "Sorathni Sarkar Maa Khodiyar (Original)". In this album, this song's track order is #7. Furthermore, we believe that the track originated from India. In terms of popularity, Ekade Ek Rakho Khodalmani Tek - Original is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Ekade Ek Rakho Khodalmani Tek - Original by Rakesh Barot, NA having a BPM of 100 with a half-time of 50 BPM and a double-time of 200 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ramzat - Non Stop Garba | Gaman Santhal, Kajal Maheriya | B Minor | 8 | 10A | 148 BPM | ||
| Varrajo | Bhavesh Ahir Vavdi | C Major | 8 | 8B | 170 BPM | ||
| Dard | Rakesh Barot | A♭ Minor | 5 | 1A | 75 BPM | ||
| Nashib Ma Hase To Fari Malishu | Mehul Barot, Rakesh Barot, Mitesh Samrat | G Major | 8 | 9B | 139 BPM | ||
| મથુરા ના રાજા થયા છો || MAYUR DAVE || MATHURA NA RAJA THYA CHO | Studio Krishna Bhanvad | A Major | 8 | 11B | 135 BPM | ||
| Mogal Karti Amara Kaam - Original | Pareshdan Gadhvi | B Minor | 8 | 10A | 114 BPM | ||
| Dammar Daak 5 (Dakla) | Aghori Muzik | D Major | 9 | 10B | 101 BPM | ||
| Aantiyali Paghalivala Re | Vana Bharvad | B♭ Major | 8 | 6B | 160 BPM | ||
| Ramo Ramo - From "Huladiyo" | Jaysinh Gadhavi | D♭ Major | 9 | 3B | 90 BPM | ||
| Nashibdar - Original | Gaman Santhal | A♭ Major | 9 | 4B | 95 BPM | ||
| Chakkajam | Jayesh Kharvada | C Major | 8 | 8B | 150 BPM | ||
| Ranuja Ma Manda Mara Moya Re | Kinjal Rabari | F Minor | 10 | 4A | 170 BPM | ||
| Bhai Maro Parne Anmol | Vishaldan Gadhvi | A Major | 9 | 11B | 110 BPM | ||
| Sapnu | Rajni Dabhi | D♭ Major | 8 | 3B | 174 BPM | ||
| Rada Ne To Raji Maro Ramsha Kari Aape | Rajan Kapra | B Major | 9 | 1B | 98 BPM | ||
| Maa Ae Rang Rakhyo | Bharat Madhugadh | B♭ Minor | 7 | 3A | 99 BPM | ||
| Kuna Mara Kalja Kapi Gai Mari Jaan | Kamlesh Chhatraliya | B Major | 8 | 1B | 93 BPM | ||
| Lai Ja Ne Lerida | Gopal Bharwad, Manisha Bharwad | F Major | 8 | 7B | 87 BPM | ||
| 75 Paghdi | Rajbha Gadhvi Gir, Kuldip Gadhvi | A♭ Minor | 4 | 1A | 95 BPM | ||
| Maro Param Mitra | Jigar Hathrol, DJ Ashish | A♭ Major | 8 | 4B | 155 BPM | ||
| Pidhi Ek Bottle Daaru | Mahesh Vanzara, Dipesh Chavda, Kandhal Odedara | G Major | 10 | 9B | 120 BPM | ||
| Nashedi Kari Gai | Jignesh Barot | C Major | 9 | 8B | 118 BPM | ||
| Rupni Tari Jaho Jalali - Remix | Vishal Hapor, DJ Irfan | G Major | 7 | 9B | 80 BPM | ||
| Wah Dost Wah (Slow ChillOut Mix) | Govind Gadhvi, Kuldip Gadhvi | E♭ Minor | 9 | 2A | 199 BPM | ||
| Tame Aavsho Ke Nai | Kishan Rawal | B♭ Major | 7 | 6B | 98 BPM |