"ラフマニノフ:交響曲第1番 二短調 作品13;第2楽章 アレグロ・アニマート" by エフゲニ・スヴェトラーノフ, ロシア国立交響楽団 had its release date on May 17, 1996. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There is only one song in ラフマニノフ:交響曲・管弦楽曲全集, so we believe that "ラフマニノフ:交響曲第1番 二短調 作品13;第2楽章 アレグロ・アニマート" is a single. ラフマニノフ:交響曲第1番 二短調 作品13;第2楽章 アレグロ・アニマート is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of ラフマニノフ:交響曲第1番 二短調 作品13;第2楽章 アレグロ・アニマート by エフゲニ・スヴェトラーノフ, ロシア国立交響楽団 is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Polovtsian Dances from Prince Igor: V. Presto | Alexander Borodin, Chicago Symphony Orchestra, Daniel Barenboim | A Major | 4 | 11B | 184 BPM | ||
| Schubert: Rosamunde, Op. 26, D. 797: Overture from Die Zauberharfe, D. 644 | Franz Schubert, Bavarian Radio Symphony Orchestra, Robert Heger | C Major | 2 | 8B | 126 BPM | ||
| Violin Concerto No. 2 in D Minor, Op. 61: II. Andantino sostenuto | Karol Szymanowski, Warmia Symphonic Orchestra, Silvano Frontalini, Beatrice Antonionini | A♭ Major | 4 | 4B | 103 BPM | ||
| ラフマニノフ:スケルツォ ニ短調 | ロシア国立交響楽団, エフゲニ・スヴェトラーノフ | D Major | 1 | 10B | 116 BPM | ||
| Variation 7: Grazioso | Johannes Brahms, London Philharmonic Orchestra, Marin Alsop | B♭ Major | 1 | 6B | 128 BPM | ||
| シベリウス: 悲しきワルツ | Jean Sibelius, 渡邉曉雄, Japan Philharmonic Orchestra | G Major | 0 | 9B | 76 BPM | ||
| チャイコフスキー:交響曲第6番 ロ短調 作品74「悲愴」;第3楽章 アレグロ・モルト・ヴィヴァーチェ | エフゲニ・スヴェトラーノフ, ロシア国立交響楽団 | G Major | 3 | 9B | 71 BPM | ||
| 鏡の踊り 歌劇「ファウスト」 バレエ音楽より | Charles Gounod, Tokyo Symphony Orchestra | G Major | 1 | 9B | 85 BPM | ||
| Elgar: 3 Characteristic Pieces, Op. 10: No. 1, Mazurka | Edward Elgar, Northern Sinfonia Orchestra, Sir Neville Marriner | G Major | 1 | 9B | 97 BPM | ||
| バレエ組曲「眠りの森の美女」 序奏 | ベルリン フィルハーモニー管弦楽団, ニューフィルハーモニア管弦楽団 | B Minor | 3 | 10A | 64 BPM | ||
| Symphony No. 3 in A Minor, MWV N 18 "Scottish" (London Version, 1842): II. Scherzo. Vivace non troppo | Felix Mendelssohn, Les Ambassadeurs ~ La Grande Écurie, Alexis Kossenko | G Major | 1 | 9B | 97 BPM | ||
| Aleko: Introduction | Sergei Rachmaninoff, Gianandrea Noseda, BBC Philharmonic Orchestra | G Minor | 0 | 6A | 64 BPM | ||
| Coppélia / Tableau 1: Czardas (Danse hongroise) - Sortie | Léo Delibes, Orchestre de la Suisse Romande, Richard Bonynge | A Major | 2 | 11B | 97 BPM | ||
| Symphony No. 2 in B Minor: I. Allegro | Alexander Borodin, Gennady Rozhdestvensky, Royal Stockholm Philharmonic Orchestra | G Major | 1 | 9B | 121 BPM | ||
| Wagner: Lohengrin, Act 3: Prelude | Richard Wagner, Herbert von Karajan, Berliner Philharmoniker | G Major | 1 | 9B | 97 BPM | ||
| Serenade für Streicher, Op. 6: II. Allegro ma non troppo | Josef Suk, Jaroslav Krcek | F♯ Major | 1 | 2B | 81 BPM | ||
| 展覧会の絵 〜キエフの大門 [ムソルグスキー/ラヴェル] | Modest Mussorgsky, ルイ・フレモー, Tokyo Metropolitan Symphony | E♭ Major | 1 | 5B | 177 BPM | ||
| Symphony No. 3 in D Major, D. 200: II. Allegretto | Franz Schubert, Berliner Philharmoniker, Nikolaus Harnoncourt | G Major | 0 | 9B | 80 BPM | ||
| Symphony No. 4 in E Minor, Op. 98: I. Allegro non troppo | Johannes Brahms, Royal Concertgebouw Orchestra, John Eliot Gardiner | E Minor | 1 | 9A | 94 BPM | ||
| Britten: Soirées musicales, Op. 9: I. March | Benjamin Britten, English Chamber Orchestra, Alexander Gibson | G Major | 1 | 9B | 97 BPM | ||
| Symphony No. 2 in B Minor: IV. Finale. allegro | Alexander Borodin, Carlos Kleiber, Radio Sinfonieorchester Stuttgart des SWR | G Major | 3 | 9B | 137 BPM | ||
| Petite Suite, WD 39: No. 2, La poupée | Georges Bizet, Jean-Luc Tingaud, RTÉ National Symphony Orchestra | C Major | 1 | 8B | 172 BPM | ||
| Má Vlast, JB1:112: III. Sarka | Bedřich Smetana, Boston Symphony Orchestra, Rafael Kubelík | E Minor | 3 | 9A | 104 BPM | ||
| Symphony No. 2 in One Movement, Op. 30: III. Andante | Ruth Gipps, Rumon Gamba, BBC National Orchestra Of Wales | F♯ Minor | 0 | 11A | 64 BPM | ||
| Benvenuto Cellini, Op. 23, H 76, Act I: Ouverture | Hector Berlioz, Sir Colin Davis, London Symphony Orchestra | C Major | 2 | 8B | 63 BPM |