Ranbir, Rakesh, Pale Ram, Sati, Satinder, Birender's ' "Pass Ho Gaya Part 8" was released on its scheduled release date, July 20, 2021. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 5 out of 8 in Bawana [Delhi] Competition Vol 1 by Ranbir. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Pass Ho Gaya Part 8 is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Pass Ho Gaya Part 8 by Ranbir, Rakesh, Pale Ram, Sati, Satinder, Birender is Adagio (slowly with great expression), since this song has a tempo of 75 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Shaukha Lagya Raha Part 8 | Satbir, Pale Ram, Ranbir | E Major | 3 | 12B | 111 BPM | ||
| Ek Baat Batau Part 2 | Mahaveer Guddu, Bali Sharma, Pasi, Ranbir, Sarita, Nathiram Dharmli | D Major | 7 | 10B | 124 BPM | ||
| Bich Rahi Choper Saar | Azad Singh Khandakhedi | A Major | 7 | 11B | 74 BPM | ||
| Dokhana Re Chhori Part 9 | Satbir, Ranbir, Rajender, Bali, Surender | G Major | 5 | 9B | 87 BPM | ||
| Mare Ghar Ka Shadi Ka Jikra Part 8 | Pale Ram, Ranbir | G Major | 4 | 9B | 91 BPM | ||
| Pass Me Part 8 | Ranbir, Narendra Biswal, Shetty, Rakesh, Surender Birender | F♯ Minor | 8 | 11A | 148 BPM | ||
| मेहँदी की महक Mohabbat Kam Nhi Hoti | Juned Sultani, Deewana Sound | F♯ Major | 7 | 2B | 192 BPM | ||
| Khatmal Ghuss Go Hay | Rajbala, Nardev, Satte, Narender, Rakesh, Rajender, Anjali, Ranbir, Satpal | G Minor | 9 | 6A | 114 BPM | ||
| Meera Kay Karlay Yuniyan | Rajender Singh Kharkiya, Sudesh Sharma, Sarita Chaudhary, Vinod Sastri, Madhu Sharma | F Major | 6 | 7B | 126 BPM | ||
| Ek Thi Daru Do Batlaye | Azad Singh | E♭ Major | 0 | 5B | 114 BPM | ||
| Kashinatha Tujha Changbhala | Niranjan Pedgaonkar | G Major | 5 | 9B | 111 BPM | ||
| Yaara Banke | Satbir, Ranbir, Bauram, Bali, Narender, Pasi | D Major | 4 | 10B | 137 BPM | ||
| Teri Akhya Ke | Master Satbeer Singh | D♭ Major | 9 | 3B | 146 BPM | ||
| Aamar Bou Aamar Katha Shone Na | Gostho Gopal Das | E Major | 5 | 12B | 96 BPM | ||
| Lotta Soman | Maikel Doley, Ananta Mili | C Minor | 4 | 5A | 141 BPM | ||
| Preet Laga Ke Daga Ne Kariyo | Raju Patel, Dhaniram Sen | G Major | 5 | 9B | 129 BPM | ||
| Mera Pali Kare Wo Se Part 6 | Satbir, Ranbir, Rajinder, Bali Sharma, Surender | F♯ Major | 1 | 2B | 124 BPM | ||
| Thinthare | Athul Narukara, Folkgrapher Live Band | A Minor | 7 | 8A | 119 BPM | ||
| GURU MERA AB THODI MEHAR KARO | Dhanabharti Ji | A♭ Major | 7 | 4B | 108 BPM | ||
| Suna Hai Kisi Ki Tum Ho Gai Ho | Rajab Faqeer | G Major | 9 | 9B | 104 BPM | ||
| Mon Tore Parlam Na Buihaite | Mohammad Alamin | D♭ Major | 9 | 3B | 163 BPM | ||
| To Daratke Metaga | Kamran Dad | F♯ Major | 4 | 2B | 147 BPM | ||
| Sasre Na Jaungi | Rajender, Ranbir | A Minor | 6 | 8A | 78 BPM | ||
| Ab Garma Gayi Part 6 | Mahaveer Guddu, Bali Sharma, Pasi, Ranbir, Sarita, Nathiram Dharmli | D Major | 7 | 10B | 124 BPM | ||
| Har Jas Re Mana Gaye Lai | Bhai Ranjit Singh Dhadrianwale | D♭ Major | 9 | 3B | 163 BPM |