On September 11, 2019, the song "Mai To Mobail" was released by Ramdhan Gujjar. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 65 in the song's album "Samdhin Khailo Gol Gappe". In this album, this song's track order is #36. Furthermore, we believe that the track originated from India. Mai To Mobail is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Mai To Mobail by Ramdhan Gujjar having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Maya Pirit Ke Dori Ma | Dukalu Yadav | A♭ Major | 9 | 4B | 77 BPM | ||
| अरे म्हारा मनड़ा बदलगा दिनड़ा | Sunita Swami | A Minor | 7 | 8A | 160 BPM | ||
| Mara Sanvariya Ke Note Ganera Thoda Thoda Sab Ne Bate Re | Balkishan Prajapat, Sarita Parjapat | F Minor | 8 | 4A | 144 BPM | ||
| Picham Dhara Su Mhara Pirji Padhariya | Prakash Mali | B♭ Minor | 8 | 3A | 91 BPM | ||
| Cham Cham Nache Dekho Veer Hanumana | Anju Sharma | E♭ Major | 8 | 5B | 135 BPM | ||
| Shyam Thane Kajaliyo Banalu | Bhagwat Suthar | C Minor | 10 | 5A | 150 BPM | ||
| Are Ke Mahari Byan Ji Nakhrali | Kanchan Sapera, Lakhan Bharti, Ramdhan Gujjar, Mamta Choudhary, Amul Dangi | B Minor | 9 | 10A | 132 BPM | ||
| Bhola Nachere Kanwaryon Ke Sang | Pt. Ram Avtar Sharma | F Minor | 9 | 4A | 98 BPM | ||
| Hori Khele To Aaiyo Mere Gaau | Sadhvi Purnima Ji | E Minor | 8 | 9A | 100 BPM | ||
| Rana Ban | Shivkumar Tiwari | B♭ Major | 9 | 6B | 87 BPM | ||
| Tufani Kawad | Vikash Kumar, Meeta Baroda | C Major | 10 | 8B | 120 BPM | ||
| Barsana Laage Mohe Pyara | Chitra Vichitra ji | D♭ Minor | 9 | 12A | 174 BPM | ||
| Sanwariya Thari Maya Ro Payo Koni Par | Gokul Sharma | A♭ Major | 9 | 4B | 136 BPM | ||
| Teri Aadalat Mein Sanwariya | Anjali Dwivedi | C Major | 9 | 8B | 148 BPM | ||
| Sato Bahiniya Aili | Pawan Singh | G Major | 10 | 9B | 105 BPM | ||
| Ruk Ruk Chale Kam Maro Sanwariya Re | Ratan Rao | B Minor | 9 | 10A | 115 BPM | ||
| Jins Mat Pahree | Ramdhan Gujjar, Pushpa Gosai, Ramesh Tiwari | G Minor | 7 | 6A | 105 BPM | ||
| मारा मंडफिया रा साँवरिया सेठा का सेठ | Premshankar Jat | C Major | 10 | 8B | 85 BPM | ||
| Mandfiya ra Malik Seth Saanwra | Gokul Sharma | E♭ Major | 10 | 5B | 95 BPM | ||
| Me To Bhukho Betho Sanwriya The Jimo Ho 56 Bhog | Gokul Sharma | B♭ Minor | 8 | 3A | 154 BPM | ||
| Tere Dar Ka Deewana Hun | Manoj Panchal | B♭ Minor | 9 | 3A | 134 BPM | ||
| Boom Shankar Saileela Wale | Dinesh Rajan Pawar | B♭ Minor | 9 | 3A | 136 BPM | ||
| Chudo Nagmani Mage Tu Kai Nagin Chh Ke | Veersingh Banota | G Minor | 10 | 6A | 145 BPM | ||
| Mera Shyam Deewana Hai Us Radha Rani Ka | prakashdasswamiofficial | E Major | 10 | 12B | 113 BPM | ||
| Gaura Re Pilade Bhangiya | Vikash Kumar, Yashpreet Kaur | D Major | 10 | 10B | 140 BPM |