"Boris Godunov: Opera in Four Acts With a Prologue: Prologue, Scene 2: "My soul is sad"" by Modest Mussorgsky, Claudio Abbado, Berliner Philharmoniker, Anatoly Kotcherga had its release date on 1994. The duration of This song is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. Boris Godunov: Opera in Four Acts With a Prologue: Prologue, Scene 2: "My soul is sad"'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Modest Mussorgsky, Claudio Abbado's "Mussorgsky: Boris Godunov - The Sony Opera House" album is number 10 out of 78. On top of that, United States appears to be the country where this track was created. Boris Godunov: Opera in Four Acts With a Prologue: Prologue, Scene 2: "My soul is sad" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Boris Godunov: Opera in Four Acts With a Prologue: Prologue, Scene 2: "My soul is sad" by Modest Mussorgsky, Claudio Abbado, Berliner Philharmoniker, Anatoly Kotcherga to be Andante (at a walking pace) because the track has a tempo of 89 BPM, a half-time of 44BPM, and a double-time of 178 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| A Midsummer Night's Dream, Incidental Music, Op.61, MWV M 13: No.1 Scherzo | Felix Mendelssohn, Judi Dench, Boston Symphony Orchestra, Seiji Ozawa | G Minor | 2 | 6A | 123 BPM | ||
| Symphony No. 3 In C Minor, Op. 78 "Organ Symphony": 2. Allegro moderato - Presto - Allegro moderato - Maestoso - Più allegro - Molto allegro | Camille Saint-Saëns, Simon Preston, Berliner Philharmoniker, James Levine | F Minor | 2 | 4A | 117 BPM | ||
| Suite algerienne, Op. 60: Suite Algerienne, Op. 60: Marche militaire francaise | Camille Saint-Saëns, Slovak Philharmonic, Richard Hayman | C Major | 1 | 8B | 113 BPM | ||
| Pelléas et Mélisande, Op.80: 2. Fileuse. Andantino quasi Allegretto | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | G Major | 1 | 9B | 88 BPM | ||
| Academic Festival Overture, Op. 80 | Johannes Brahms, Chicago Symphony Orchestra, Sir Georg Solti | C Major | 2 | 8B | 73 BPM | ||
| Piano Concerto in A Minor, Op. 54: II. Intermezzo (Andantino grazioso) | Robert Schumann, Krystian Zimerman, Berliner Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 70 BPM | ||
| Chamber Symphony No. 5 in A-Flat Major, Op. 118a: I. Andante | Dmitri Shostakovich, Yuli Turovsky, I Musici de Montréal | D♭ Major | 0 | 3B | 106 BPM | ||
| Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM | ||
| Pictures at an Exhibition (Orch. Ravel): VIIIb. Cum mortuis in lingua mortua | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | F♯ Major | 0 | 2B | 69 BPM | ||
| Carmen Suite No. 1 (Arr. E. Guiraud): III. Intermezzo | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | E♭ Major | 0 | 5B | 81 BPM | ||
| Symphony No. 1 in D Major: 2. Kräftig bewegt - Live | Gustav Mahler, Berliner Philharmoniker, Claudio Abbado | A Major | 1 | 11B | 96 BPM | ||
| Concerto for Orchestra, Sz. 116: I. Introduzione (Andante non troppo - Allegro vivace) | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | D Major | 1 | 10B | 73 BPM | ||
| Overture to "A Midsummer Night's Dream", Op. 21: Allegro di molto | Felix Mendelssohn, London Symphony Orchestra, John Eliot Gardiner | E Major | 1 | 12B | 137 BPM | ||
| Symphony No. 9 in E Minor, Op. 95 "From the New World": I. Adagio — Allegro molto | Antonín Dvořák, New York Philharmonic, Alan Gilbert | E Minor | 1 | 9A | 125 BPM | ||
| The Hebrides, Op. 26 "Fingal's Cave" | Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra | D Major | 1 | 10B | 137 BPM | ||
| La forza del destino: Overture (Sinfonia) | Giuseppe Verdi, Berliner Philharmoniker, Claudio Abbado | E Minor | 2 | 9A | 80 BPM | ||
| Divertimento: II. Waltz. Allegretto, con grazia | Leonard Bernstein, Bournemouth Symphony Orchestra, Marin Alsop | D Minor | 7 | 7A | 148 BPM | ||
| Ancient Airs & Dances, Suite I, P. 109: I. Balletto detto "Il conte Orlando" (Molinaro) | Ottorino Respighi, Boston Symphony Orchestra, Seiji Ozawa | D Major | 1 | 10B | 120 BPM | ||
| Fontane di Roma, P. 106: IV. La fontana di Villa Medici al tramonto | Ottorino Respighi, New York Philharmonic, Giuseppe Sinopoli | F♯ Minor | 0 | 11A | 61 BPM | ||
| Symphony No. 8 in B Minor, D. 759 "Unfinished": 2. Andante con moto | Franz Schubert, Berliner Philharmoniker, Herbert von Karajan | E Major | 1 | 12B | 76 BPM | ||
| The Firebird Suite (1919 Version): Introduction - 2017 Remastered Version | Igor Stravinsky, Leonard Bernstein, New York Philharmonic | C Minor | 0 | 5A | 90 BPM | ||
| Piano Concerto in A Minor, Op. 16: III. Allegro moderato molto e marcato - Remastered | Edvard Grieg, Arthur Rubinstein, Alfred Wallenstein, RCA Victor Symphony Orchestra | F Major | 1 | 7B | 119 BPM | ||
| Holberg Suite, Op. 40: IV. Air (Andante religioso) | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | C Major | 1 | 8B | 79 BPM | ||
| Piano Concerto No. 2 in F Major, Op. 102: I. Allegro | Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich | B♭ Major | 3 | 6B | 160 BPM | ||
| Lyric Suite, Op. 54: III. Notturno (Nocturne) | Edvard Grieg, Malmö Symphony Orchestra, Bjarte Engeset | C Major | 0 | 8B | 118 BPM |