On January 9, 1955, the song "Here Today and Gone Tomorrow" was released by Janis Martin. The duration of This song is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. Here Today and Gone Tomorrow's duration is considered a little bit shorter than the average duration of a typical track. The song is number 28 out of 30 in Freedom by Janis Martin. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Here Today and Gone Tomorrow's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Here Today and Gone Tomorrow by Janis Martin is Allegro (fast, quick, and bright), since this song has a tempo of 122 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Summertime Symphony | Jamie Coe | F Major | 7 | 7B | 170 BPM | ||
| I'll Never Be Free | Janis Martin | C Major | 3 | 8B | 200 BPM | ||
| Toe Up From the Flo Up | Ronnie Dawson | B Minor | 7 | 10A | 104 BPM | ||
| The Chicken And The Hawk | Big Joe Turner | D♭ Major | 7 | 3B | 173 BPM | ||
| Sunglasses After Dark | Dwight Pullen | E Minor | 8 | 9A | 174 BPM | ||
| Modern Romance | Sanford Clark | C Major | 9 | 8B | 171 BPM | ||
| Do The Frog | Marcel Bontempi | C Major | 9 | 8B | 117 BPM | ||
| Baby She's Gone | Jack Scott | A Major | 7 | 11B | 107 BPM | ||
| Red Cadillac And A Black Mustache | Warren Smith | D Major | 9 | 10B | 154 BPM | ||
| Rockin' Little Angel | Ray Smith | A Major | 7 | 11B | 107 BPM | ||
| Red Headed Woman | Sonny Burgess | E Minor | 7 | 9A | 100 BPM | ||
| Me and My Rhythm Guitar | Johnny Powers | A Major | 7 | 11B | 107 BPM | ||
| Ooo Baby | Sanford Clark | D Major | 8 | 10B | 95 BPM | ||
| I'm Hungry for Your Lovin | Grady Martin, Danny Dill & The Slewfoot Five | A Major | 9 | 11B | 97 BPM | ||
| My Bucket's Got a Hole in It | Sonny Burgess | F Major | 8 | 7B | 93 BPM | ||
| Give Me a Woman - Remastered | Andy Starr | D Major | 7 | 10B | 105 BPM | ||
| Everybody's Movin' | Glen Glenn | D♭ Minor | 7 | 12A | 79 BPM | ||
| Tornado | Dale Hawkins | B Major | 8 | 1B | 172 BPM | ||
| Hey, Mr. Locomotive | The Bellfuries | B Minor | 6 | 10A | 182 BPM | ||
| Bang Bang | Janis Martin | A Major | 7 | 11B | 107 BPM | ||
| Little By Little | Nappy Brown | F Major | 5 | 7B | 177 BPM | ||
| Erwartung, Op. 17: Scene IV, "Du siehst wieder dort hin!" | Arnold Schoenberg, Pierre Boulez, Janis Martin, BBC Symphony Orchestra | D♭ Major | 1 | 3B | 90 BPM | ||
| Save It | Mel Robbins | A Major | 9 | 11B | 100 BPM | ||
| Can't You Hear Me Callin' | Johnny Otis | A Major | 7 | 11B | 107 BPM | ||
| Here I Am | Janis Martin | F♯ Minor | 6 | 11A | 84 BPM |