B.E. Boykin, Raehann Bryce-Davis, Thapelo Masita, Jeanne-Minette Cilliers's 'We Wear the Mask' had a release date set for April 11, 2025. With this song being around four minutes long, at 3:36, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 7 out of 11 in Evolution by Raehann Bryce-Davis. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. We Wear the Mask is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of We Wear the Mask by B.E. Boykin, Raehann Bryce-Davis, Thapelo Masita, Jeanne-Minette Cilliers is Lento (slowly), since this song has a tempo of 56 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Cendrillon: On appelle, on sonne! | Jules Massenet, Philharmonia Orchestra, Julius Rudel | G Major | 1 | 9B | 84 BPM | ||
| Twelve Poems of Emily Dickinson: 5. Heart, we will forget him | Aaron Copland, Barbara Bonney, André Previn | F Minor | 0 | 4A | 177 BPM | ||
| Berlioz: Les Nuits d'été, Op. 7, H 81b: IV. Absence, H 85b | Hector Berlioz, Théophile Gautier, Véronique Gens/Louis Langree/Orchestre de l'Opéra National de Lyon, Louis Langrée, Orchestre De L'Opéra National De Lyon | F♯ Major | 1 | 2B | 127 BPM | ||
| Sechs Gedichte und Requiem, Op. 90: No. 7, Requiem | Robert Schumann, Hanna-Elisabeth Müller, Juliane Ruf | C Minor | 1 | 5A | 83 BPM | ||
| Ein deutsches Requiem, Op. 45: V. "Ihr habt nun Traurigkeit" | Johannes Brahms, London Symphony Orchestra, London Symphony Chorus, André Previn, David Wilson-Johnson, Harolyn Blackwell | A♭ Major | 1 | 4B | 140 BPM | ||
| 4 Lieder, Op. 27, TrV 170 (Version for Voice & Orchestra): No. 2, Cäcilie | Richard Strauss, Louise Alder, Finnish Radio Symphony Orchestra, Nicholas Collon | E♭ Major | 1 | 5B | 78 BPM | ||
| The Dream of Gerontius, Op. 38, Part I: No. 2, Jesu, Maria - I am near to death (Gerontius) | Edward Elgar, Edward Gardner, London Philharmonic Orchestra, Allan Clayton | C Minor | 2 | 5A | 84 BPM | ||
| Six Lieder, Op. 13: 3. Liebeszauber | Clara Schumann, Barbara Bonney, Vladimir Ashkenazy | E♭ Major | 1 | 5B | 103 BPM | ||
| Stabat Mater, Op. 58: IV. Fac, ut ardeat cor meum (Largo) | Antonín Dvořák, Philippe Herreweghe, Collegium Vocale Gent, Royal Flemish Philharmonic, Florian Boesch | B♭ Minor | 0 | 3A | 79 BPM | ||
| Barber: 3 Songs, Op. 10: No. 2, Sleep Now | Samuel Barber, Jennifer Larmore, Antoine Palloc | F♯ Major | 1 | 2B | 82 BPM | ||
| Guridi: 6 canciones castellanas: No. 1, Allá arriba, en aquella montaña | Jesús Guridi, Marianne Crebassa, Alphonse Cemin | C Minor | 1 | 5A | 177 BPM | ||
| Serenade for Tenor, Horn and Strings, Op. 31: II. Pastoral | Benjamin Britten, Aldeburgh Strings, Markus Däunert, Richard Watkins, Allan Clayton | E♭ Minor | 0 | 2A | 130 BPM | ||
| Humperdinck : Hänsel und Gretel : Act 3 "Wo bin ich? Wach' ich?" [Gretel, Hänsel] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | E♭ Major | 0 | 5B | 91 BPM | ||
| Requiem for the Living: III. Agnus dei | Dan Forrest, Anna Ogińska, Wiktoria Zawistowska, University of Bielsko-Biala Choir, University of Bielsko-Biała Chamber Orchestra, Jan Borowski | E♭ Major | 2 | 5B | 106 BPM | ||
| Non posso disperar | Giovanni Bononcini, Holly Bewlay, Sarah Rhee | F Minor | 1 | 4A | 174 BPM | ||
| Deux mélodies, Op. 46: No. 2, Clair de lune | Dilyana Georgieva, Galina Apostolova | G Major | 2 | 9B | 86 BPM | ||
| Petite messe solennelle, Credo: XI. Crucifixus | Gioachino Rossini, Krassimira Stoyanova, Philip Mayers, Philip Moll, Ryoko Morooka, Marcus Creed | A♭ Major | 1 | 4B | 131 BPM | ||
| Elijah, Op. 70, MWV A25 / Part 2: "For the mountains shall depart" | Felix Mendelssohn, Bryn Terfel, Stephen Doughty, Orchestra of the Age of Enlightenment, Paul Daniel | F Major | 0 | 7B | 81 BPM | ||
| Seven Poems by James Joyce, R. 51: I. Strings in the earth and air | Ernest John Moeran, Roderick Williams, John Talbot | D♭ Major | 0 | 3B | 85 BPM | ||
| Bellini: I puritani: "Sai com’arde in petto mio" (Elvira, Giorgio) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM | ||
| Gloria, FP 177: I. Gloria in excelsis Deo | Francis Poulenc, Polyphony, Britten Sinfonia, Stephen Layton, The Choir Of Trinity College, Cambridge | A Minor | 3 | 8A | 95 BPM | ||
| Bolivar, Op. 236: Berceuse | Darius Milhaud, Orchestre De La Société Des Concerts Du Conservatoire, Janine Micheau | B Minor | 2 | 10A | 84 BPM | ||
| Donaudy : "O del mio amato ben" | Stefano Donaudy, Sumi Jo | A Major | 0 | 11B | 132 BPM | ||
| Lucia di Lammermoor / Act 1: Quando rapito in estasi | Gaetano Donizetti, Nadine Sierra, Veta Pilipenko, Orchestra Sinfonica Nazionale della Rai, Riccardo Frizza | E♭ Major | 3 | 5B | 96 BPM | ||
| Paysage sentimental | Dilyana Georgieva, Galina Apostolova | A♭ Major | 0 | 4B | 92 BPM |