On March 7, 1992, the song "Nightshift" was released by Commodores. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 20 in the song's album "Nightshift & More, Vol. I & II". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Germany. In terms of popularity, Nightshift is currently below average in popularity. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Nightshift by Commodores having a BPM of 103 with a half-time of 52 BPM and a double-time of 206 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sweet Surrender | Wet Wet Wet | G Major | 6 | 9B | 96 BPM | ||
| Classic - Original Radio Version 96' - Remastered | Adrian Gurvitz | A Major | 4 | 11B | 174 BPM | ||
| In the Heat of the Night | Imagination | F Minor | 5 | 4A | 86 BPM | ||
| I'm So Glad That I'm A Woman | Love Unlimited | B♭ Minor | 4 | 3A | 117 BPM | ||
| Apch (Live at the Mulehouse) | Chuck Adams | B♭ Major | 1 | 6B | 161 BPM | ||
| If I Hadn’t Got You | Lisa Stansfield | G Major | 7 | 9B | 184 BPM | ||
| You Gotta Love Someone - Days Of Thunder | The Oscar Hollywood Films | D Major | 4 | 10B | 100 BPM | ||
| Turning Round | Chris de Burgh | D Major | 3 | 10B | 135 BPM | ||
| Classic | Adrian Gurvitz | A Major | 4 | 11B | 170 BPM | ||
| Too Hot | Kool & The Gang | F♯ Minor | 7 | 11A | 103 BPM | ||
| Just Another Day (Without You) | Jon Secada | A♭ Major | 9 | 4B | 112 BPM | ||
| Nice and Slow | George McCrae | B Minor | 7 | 10A | 108 BPM | ||
| Do You Remember? - Live 1990; 2019 Remaster | Phil Collins | F Major | 6 | 7B | 93 BPM | ||
| Right Here Waiting for You | Jony Sanders | B♭ Major | 7 | 6B | 118 BPM | ||
| Been In Luv (92) | Cutting Crew | D♭ Major | 3 | 3B | 89 BPM | ||
| I’d Love You to Want Me - Acoustic | Lobo | C Minor | 4 | 5A | 75 BPM | ||
| Every Time You Go Away | Paul Young | F Major | 6 | 7B | 164 BPM | ||
| Never Be The Same | Christopher Cross | A Minor | 6 | 8A | 127 BPM | ||
| Is This Love | Turner Ship | D♭ Minor | 8 | 12A | 103 BPM | ||
| Cherish | Kool & The Gang | D♭ Major | 5 | 3B | 95 BPM | ||
| Sorry - 12" Version | The Sixties | C Major | 6 | 8B | 95 BPM | ||
| Baby Come Back | Lisa Stansfield | D Minor | 7 | 7A | 169 BPM | ||
| Old Fashion Love | Commodores | A♭ Major | 3 | 4B | 173 BPM | ||
| Song for You | John Miles | F Major | 8 | 7B | 131 BPM | ||
| The Living Years | Mike + The Mechanics | D♭ Major | 6 | 3B | 98 BPM |