Johann Pachelbel, János Rolla, Franz Liszt Chamber Orchestra's 'Pachelbel: Canon and Gigue for Three Violins and Continuo in D Major: Canon' had a release date set for 1984. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 5 out of 15 in Canon & Gigue (Apex) by János Rolla, Franz Liszt Chamber Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. The popularity of Pachelbel: Canon and Gigue for Three Violins and Continuo in D Major: Canon is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Pachelbel: Canon and Gigue for Three Violins and Continuo in D Major: Canon by Johann Pachelbel, János Rolla, Franz Liszt Chamber Orchestra is Vivace (lively and fast), since this song has a tempo of 172 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Canon And Gigue In D Major, P 37: 1. Canon | Johann Pachelbel, The English Concert, Trevor Pinnock | D♭ Major | 1 | 3B | 100 BPM | ||
| Vivaldi: Guitar Concerto in D Major, RV 93: II. Largo | Antonio Vivaldi, Christopher Parkening, Iona Brown, Academy of St. Martin in the Fields | D Major | 0 | 10B | 171 BPM | ||
| The Sleeping Beauty, Suite, Op.66a, TH 234: 2. Pas d'action: Rose Adagio | Pyotr Ilyich Tchaikovsky, Boston Symphony Orchestra, Seiji Ozawa | E♭ Major | 1 | 5B | 77 BPM | ||
| Thaïs: Méditation (Arr. for Violin and Orchestra) | Jules Massenet, Joshua Bell, Royal Philharmonic Orchestra, Nigel Hess | D Major | 2 | 10B | 95 BPM | ||
| Mozart: Concerto For Clarinet And Orchestra In A (K. 622) | Jack Brymer, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 0 | 10B | 84 BPM | ||
| Messiah, HWV 56, Pt. 2: No. 44, Chorus. Hallelujah, for the Lord God Omnipotent Reigneth | George Frideric Handel, Academy of St Martin in the Fields Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 4 | 10B | 109 BPM | ||
| Gabriel's Oboe (From "The Mission") | Ennio Morricone, Renaud Capuçon, Stéphane Denève, Brussels Philharmonic | D Major | 2 | 10B | 86 BPM | ||
| The Gadfly Suite, Op. 97a: No. 8 Romance | Dmitri Shostakovich, Charlie Siem, Munich Radio Orchestra, Paul Goodwin | D♭ Major | 1 | 3B | 133 BPM | ||
| Beethoven: Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": II. Adagio un poco mosso (Excerpt) | Ludwig van Beethoven, Walter Gieseking, Alceo Galliera, Philharmonia Orchestra | B♭ Major | 2 | 6B | 91 BPM | ||
| Williams: Main Theme (From "Schindler's List") | John Williams, Chloë Hanslip, Paul Mann, London Symphony Orchestra | D Minor | 1 | 7A | 72 BPM | ||
| Bach, JS: Wachet auf, ruft uns die Stimme, BWV 140: I. Wachet auf, ruft uns die Stimme (Transcr. Garcia for Guitar) | Thibaut García | D♭ Major | 2 | 3B | 142 BPM | ||
| The Four Seasons - Violin Concerto in G Minor, Op. 8 No. 2, RV 315 "Summer": III. Presto | Antonio Vivaldi, Joshua Bell, Academy of St. Martin in the Fields | G Major | 4 | 9B | 152 BPM | ||
| Gabriel's Oboe - For Cello and Orchestra | Ennio Morricone, Mikael Samsonov, Pavel Lyubomudrov, Metamorphose String Orchestra | D Major | 1 | 10B | 171 BPM | ||
| Orfeo ed Euridice, Wq. 30, Act II: Danse des champs-elysées "Mélodie" (Arr. for Piano by Ignaz Friedman) | Christoph Willibald Gluck, Joseph Banowetz | A Major | 0 | 11B | 72 BPM | ||
| Cavalleria Rusticana: Intermezzo | Philharmonische Vereinigung Arte Sinfonica, Heribert Brandt | F Major | 2 | 7B | 82 BPM | ||
| Canon and Gigue in D Major, P. 37: I. Canon | Johann Pachelbel, Karol Teutsch, Orchestre Leopoldinum-wroclaw | D Major | 2 | 10B | 113 BPM | ||
| Pachebel's Canon in D | Pat Richardson | D Major | 3 | 10B | 150 BPM | ||
| Gymnopédie: No.1 | David Moore | G Major | 0 | 9B | 90 BPM | ||
| Adagio in G minor (Arr. Giazotto & Palmer) | Julian Lloyd Webber, English Chamber Orchestra, Nicholas Cleobury | C Minor | 1 | 5A | 82 BPM | ||
| Bach, JS: Brandenburg Concerto No. 1 in F Major, BWV 1046: II. Adagio | Johann Sebastian Bach, Catherine Mackintosh, Paul Goodwin, Susan Dent, Timothy Brown, Orchestra of the Age of Enlightenment | D♭ Minor | 1 | 12A | 133 BPM | ||
| 弦楽のためのアダージョ(バーバー) | Samuel Barber, Takeharu Nobuhara, テレマン室内管弦楽団 | E Major | 0 | 12B | 67 BPM | ||
| Winter Light (Version for Saxophone & Ensemble) | Ola Gjeilo, Jess Gillam, Jess Gillam Ensemble | B Minor | 1 | 10A | 112 BPM | ||
| Méditation de Thaïs (Arr. Cullen for Cello and Orchestra) | Jules Massenet, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | D Major | 1 | 10B | 72 BPM | ||
| Christmas Oratorio, BWV 248 / Part Two - For the second Day of Christmas: No. 10 Sinfonia | Academy of St Martin in the Fields Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner | G Major | 0 | 9B | 79 BPM | ||
| In the Bleak Midwinter (Arr. Kanneh-Mason) | Gustav Holst, Sheku Kanneh-Mason, Isata Kanneh-Mason | F Major | 0 | 7B | 75 BPM |