"Missa 7: Sanctus" by Marek Klein had its release date on December 3, 2016. With This song being less than two minutes long, at 1:41, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Marek Klein's "Graduale Project, Year Four" album is number 8 out of 49. On top of that, United States appears to be the country where this track was created. Based on our statistics, Missa 7: Sanctus's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Missa 7: Sanctus by Marek Klein to be Allegro (fast, quick, and bright) because the track has a tempo of 135 BPM, a half-time of 68BPM, and a double-time of 270 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sequentia: Mittit Ad Virginem | Gregoriana, Marek Klein | E Major | 1 | 12B | 122 BPM | ||
| Jerusalem Caelestis | Cathedral Choir, The Cathedral Singers | G Major | 2 | 9B | 83 BPM | ||
| Communio: Ierusalem surge | Marek Klein | E Major | 0 | 12B | 129 BPM | ||
| Harmonia Novissimae Serenitatis | Cherubika | B Minor | 0 | 10A | 71 BPM | ||
| Introitus: Ad te levavi | Marek Klein | B Major | 1 | 1B | 130 BPM | ||
| Maria Vidit Angelum | Cantos Gregorianos | A Minor | 0 | 8A | 73 BPM | ||
| Canto Gregoriano Jueves Santo, Misa y Responsos de las Tinieblas: Gradual, CHRISTUS FACTUS EST (5º modo) - Remastered | Chœur des Moines de l'Abbaye Saint-Pierre de Solesmes | B♭ Major | 1 | 6B | 140 BPM | ||
| Missa 17: Kyrie A | Marek Klein | B Major | 1 | 1B | 130 BPM | ||
| Hymn: Avete Solitudinis | Cistercian Nuns Of Mount Saint Mary's Abbey | E Minor | 0 | 9A | 166 BPM | ||
| O pastor animarum (Antifona) | Hildegard von Bingen, Tiziana Fumagalli | G Major | 0 | 9B | 75 BPM | ||
| Sequence - Victimae Paschalai (Proper for Easter, Movement 4) | St Dominic's Priory Choir | E Major | 2 | 12B | 138 BPM | ||
| Midnight Mass: Gradual: Tecum Principium (Mode II) | Chœur des Moines de l'Abbaye Saint-Pierre de Solesmes | B Minor | 2 | 10A | 78 BPM | ||
| Stella Vespertina Ducens | Choir Of St. Abuscus, Chants of Eternity | D Major | 1 | 10B | 71 BPM | ||
| Hosanna filio David | Marek Klein | B♭ Minor | 1 | 3A | 130 BPM | ||
| Domingo de Quasimodo: Ofertorio: Angelus Domini (8º modo) | Tradicional, Chœur des Moines de l'Abbaye Saint-Pierre de Solesmes, Joseph Gajard | D♭ Major | 1 | 3B | 77 BPM | ||
| Noël - Complies : Senex puerum - Nunc dimittis | Chœur de l'abbaye Notre-Dame de Timadeuc, Père Fabien | E Major | 0 | 12B | 89 BPM | ||
| Quinto Domingo Después de Pascua: Aleluya: Surrexit Christus (1er. modo) | Popular, Chœur des Moines de l'Abbaye Saint-Pierre de Solesmes, Joseph Gajard | F Major | 2 | 7B | 104 BPM | ||
| In I Vesperis: Antiphona. Laus Deo patri | Etienne de Liège, Psallentes, Hendrik Vanden Abeele | D Minor | 2 | 7A | 116 BPM | ||
| Livre de Job : Répons. Si bona suscépimus | Choeur grégorien de Paris | G Minor | 1 | 6A | 140 BPM | ||
| Antiphona Et Canticum: Zachaée, Modo VIII. Benedictus, Tono VIII | Popular, Coro de Monjas Benedictinas del Real Monasterio de San Pelayo de Oviedo | E Minor | 1 | 9A | 128 BPM | ||
| Chorus Angelicus Descendit | Monks of St. Anthony's Greek Orthodox Monastery, Abraham Julius Martyn The Fifth | D Minor | 1 | 7A | 126 BPM | ||
| Hodie Simon Petrus | Benedyktyni Opactwa Tynieckiego | B♭ Minor | 1 | 3A | 70 BPM | ||
| Ave Gloriosa Mater Salvatoris | Schola Gregoriana Mediolanensis & Giovanni Vianini | B♭ Major | 2 | 6B | 81 BPM | ||
| De virginibus (Antifona) | Hildegard von Bingen, Tiziana Fumagalli | A Minor | 1 | 8A | 125 BPM | ||
| Sit Gloria Domini | Schola Gregoriana Mediolanensis & Giovanni Vianini | D Major | 1 | 10B | 135 BPM |